Nothing about being human is black and white. So why do we keep acting as if it is?

This month, through no planning of my own, my book – In My Grandfather’s Shadow – seemed to go on tour.   

On 22nd July it reached its fourth anniversary since publication and, as if to celebrate each year, four interesting invitations came my way. From a prison, a history festival, a German magazine and a school.

This week I spent a day in prison, moving between hot rooms filled with men, each clutching a copy. They had been distributed by Give A Book through its Prison Reading Groups programme. The Shannon Trust, an indispensable charity promoting literacy in prisons, had invited me to speak to two groups. Many of the men had not only read the book but had annotated its pages with notes and carefully prepared lists of questions and comments. 

Do you think there is a way through guilt? 

How do you find out what has gone on in one generation that might need resolving?

Should there be more art in prisons and schools? 

I feel so fortunate to have access to these pockets of society that most people never encounter. Prisons hum with life, attitude and testosterone. They also carry the unmistakable stench of waste: wasted money, wasted opportunity, wasted time and wasted human potential. Not because of those living or working inside, but because of how the system is designed. Cuts to funding and staff, overcrowding, and a punitive undercurrent in policymaking have created conditions that prevent prisons from functioning as they could. 

Award winner, Koestler Arts, 2022

As I have often found over the decades, I can speak more freely inside these locked institutions than outside them. The people who live and work there generally have more experience and understanding of the darker side of human nature. The parts of ourselves most of us prefer not to acknowledge and thankfully do not act upon, but that nonetheless reside in us all.

The great Russian writers understood this well. 

“If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?”   Aleksandr Solzhenitsyn from The Gulag Archipelago.         

Human beings are capable of both extraordinary good and extreme evil. If we accepted that as a foundational truth, our society might paradoxically become more compassionate and more honest. Instead, we are encouraged to project evil onto others and goodness onto ourselves. 

We see this in our culture of remembrance, the subject I will be exploring with Henry Montgomery and James Holland at Chalke Valley History Festival this Sunday. We see it in the media, as I was recently reminded while being interviewed by one of Germany’s most respected magazines, Der Spiegel, for an article marking the 85th Anniversary of Operation Barbarossa, Germany’s invasion of Russia in 1941 and the war of annihilation that followed – a war in which my Wehrmacht grandfather took part. We see it in every form of discrimination. And we see it in our criminal justice system. 

I understand why, in Germany, nuance remains difficult when discussing those dreadful years shaped by Nazi ideology and its hierarchy of human worth… and worthlessness. Germany cannot be seen to relativise any aspect of that history, just as it cannot be seen to pass critical judgment on Israel. I have a huge amount of empathy for the country’s predicament. However…

In some ways, a serious criminal is in a similar situation, albeit on an individual rather than a national scale. Yet just as our prison system risks trapping people in a criminal identity with adverse outcomes, so certain aspects of Germany are in danger of remaining stuck in a ‘They were the guilty perpetrators’ identity. With ever fewer contemporary witnesses and widespread silence still prevailing within families, it becomes increasingly easy to project total accountability – or evil – onto whole groups and categories, without acknowledging the impossible choices ordinary individuals – people like us – often faced, and how their decisions were driven by fear, survival, ignorance, weakness or a genuine belief they were serving a greater good. 

We judge them at our peril. 

And what good does judgment do anyway? Of course, crimes must be judged and punished. But the person? 

Writing In My Grandfather’s Shadow required me to walk many metaphorical miles in my grandfather’s boots. I wanted to understand both the man and the circumstances in which he lived. What choices did he really have? What alternatives, as a career soldier, were available to him? These were questions I had learned to ask through my work with prisoners. Not to excuse or justify, but to comprehend how essentially decent people can become culpable of terrible deeds.

Faced with another person’s unique situation – their education, upbringing, family background, psychological resources, personality and opportunities – would I truly have made different decisions? 

With all that is going on in the world today, we may one day be put to the test. 

Whenever I visit prisons to talk about my book, I notice the effect non-judgment can have on the men – and as 96% of the prison population is male, it is usually men I am talking to. I witness defences softening. People begin to think differently about themselves and others.  Self-reflection emerges. Empathy. A dawning of hope and the possibility of change which ultimately is the possibility of a better society for all of us. 

It is not rocket science. But it does require a shift away from our current culture of disconnection, blame, decontextualisation and blinkered thinking.

Perhaps that is why the fourth invitation, to speak at a school, touched me so deeply. A pupil had read my book and been sufficiently affected by it to pass it on to her headmaster. He read it, wrote to me and invited me to give the speech at their forthcoming Speech Day. For someone who was expelled from school, this is indeed an honour! As well as academic achievement, he wants to instil these same values of inclusion and compassion in his students to help equip them to find their own individual ways into the world. 

It’s only a start. But it is a start. And we need to start.

Forthcoming events:

Chalke Valley History Festival

Hatchards, Piccadilly. In Conversation: Alice Jolly and Rachel Seiffert with Angela Findlay

I am delighted to be chairing this event with two of my favourite authors on Wednesday 22nd July at 6:30pm at Hatchards, Piccadilly. Both books relate to the Nazi and World War II years in Germany / Austria.

Book here

Powerful Art versus weak policy… which do we need more?

It’s not every day that you squeeze yourself between two nude bodies lining a doorway. But visiting the Marina Abramović exhibition at the Royal Academy on Friday, that is exactly what I did. And the experience was so visceral, so vulnerable and in such stark contrast to everyday interactions with fellow human beings that it got me thinking… as all good art does. 

At the Royal Academy, London

Unbelievably, scandalously actually, this is the Royal Academy’s first solo female retrospective to run through those grand, main rooms in its 255-year history. I was still digesting that appalling fact as I entered the first room to be met with the full force of the artist. Video footage shows Abramović sitting in still silence gazing into the eyes of some of the 1,545 people (also represented through videos) who queued up to sit opposite her at MoMa New York in 2010. With this trusting personal connection between artist and visitor established, you allow her to take you through the trauma, pain, and almost impossible endurance she puts her body and soul through to end up in a place of meditation, peace and transcendence. 

Marina Abramović’s Imponderabilia (1977)

Earlier in the week, walking on an autumnal Whitehall lined with statues of Britain’s WW2 military heroes striking distinctly ‘male’ poses, I was struck anew by the glaring gap between the (traditionally designated) sexes. Each man was raised on his very own plinth set back from the road under the shade of mature plane (I think?) trees.

L-R: Field Marshal The Viscounts Slim, Montgomery and Alan Brooke

Opposite them, in the middle of the two-way street and on a black stela, an array of bronze female wartime outfits hung, saggy as if on coat hooks to represent the wartime contribution of over 7 million women. It’s not a new observation, but in the light of Abramovic, it is starker than before.

This memorial was raised to commemorate the vital work done by over 7 million women during World War II (July 2005)

I can only recommend you go and see, or rather experience this show. It shook me out of the increasing numbness I have felt as relentless bad, sad and mad news breaks like waves through social media outlets, radios and tv sets to crash into our lives. In order to cope, many of us feel we have to switch off or shut down. To look or move away. To rage at our impotence or pretend it has nothing to do with us. 

Speaking out has always been an option. But at times, fear of being cancelled or becoming a Twitter/X target of hate silences our voices (an unlikely scenario with my scant number of followers.) Equally, speaking out can frequently feel like you are shouting into the wind. 

Take prisons… one of few areas in life I feel confident I know a little more about than most. In recent weeks they have regularly hit the headlines for multiple reasons; reasons about which I have been banging on since the eighties when I first started teaching in them. The big, but far from new, problem is overcrowding… our prisons are full. Last time I heard (13.10.23) there were just 557 spaces left across the prison estate. 

Devoted and committed to the ‘tough on crime’ mantra, the government’s short-term thinking has landed in a cul-de-sac with just a handful of short-term ideas that could have been long-term solutions decades ago. They are not rocket science, just obvious tips like ‘Stop putting so many people who aren’t a danger to others in prison!’ Or ‘Stop this revolving door of madness of locking people away for longer and longer and then releasing them, often with just £70 in their pockets, a criminal record, a drug habit they didn’t have before they went in, and nowhere to stay when they come out…!’ It is sheer insanity to think they are going to miraculously be rehabilitated and can go on to lead a crime-free life. 

And still current policy remains the same: to create yet more institutions of failure and waste in the “biggest prison-building programme since the Victorian era.”  

Sorry, I can feel my blood beginning to boil…

But one more example of this system of illogic. And a new one at that. On 03.10.23, the Justice Secretary, Alex Chalk, (the eleventh JS since 2010), announced that the government wants to outsource the problem by renting prison cells overseas in a variation of the Refugees-to-Ruanda thinking? Well that’s going well.   

And so it goes on throughout the whole Criminal Justice System. And has done for as long as I can remember. But still the majority of my Art behind Bars audience members come up to me and say, “I had no idea.” I say that with exasperation rather than blame. But it makes me realise that speaking out has its limitations. So, for the record and possibly the last time I allow myself to become incensed in a blog, here is one of my slides with some statistics (please allow for inevitable fluctuation) that give an insight into the failure, people and costs caught up in our current prison system.

Right, let’s return to Marina Abramović and the immediacy of her work’s impact compared to mine. Drawing inspiration from the feelings and inner experiences her powerful performances evoke, I would like to propose a different solution to our on-going crisis.

The Artist is Present (2009)

I suggest every government minister, every magistrate, judge, lawyer, banker, teacher and member of the public is taken into one of Britain’s many failing prisons. For when you feel the impact of the first of many heavy doors lock behind you; when you smell the socks, watery cabbage and frustrated testosterone (95% of prisoners are men); when you hear the shouts of anger and cries of despair; when you taste the fear of under-trained staff and terrified, often traumatised men and women, and see the size of a cell and the squalid world in which these people are banged up in the name of and for the apparent protection of us all, then people might understand what so many important figures have claimed about the relationship of prisons and society, and finally demand change.  

Further readingToo many articles in every newspaper to list, so here are some specialists on Criminal Justice:

Why the prison population crisis is everyone’s concern

Prison Reform Trust: Bromley Briefings Prison Factfile, January 2023

Work with Offenders: Government considering exporting prisoners to ‘partner countries’

The Week in Justice

Russell Webster Blog

A few dates of my forthcoming events open to all:

Thursday 26th October, 7.30pm: Im Schatten meines Großvaters, Frauenkirche, Dresden

Wednesday 15th November, 5pm: Difficult Family Legacies: Lily Dunn and Angela Findlay, Goldsmiths, University of London

Thursday 16th November, 6.30pm: War and Peace: A Century of British-German Relations. Co-hosted by The Dresden Trust and the National Army Museum, London

22-24th November: 3 evening talks in Laubach, Frankfurt and Heidelberg. Contact me for details

I dare you not to look away…

What is the difference between ‘I had no idea’ and ‘I didn’t know’?

I ask this question in the wake of what must be one of the best television series in the past year: BBC One’s deeply uncomfortable and disquieting three-parter, Time.

It is described as: ‘Jimmy McGovern’s hard-hitting, brutally honest portrayal of a failed public service which gets everything right about prison life – minus the tedium.’ If you haven’t seen it – and sorry to my readers abroad if you can’t get BBC – I would like to invite you to watch it, even to dip into it for ten minutes. I’ll tell you why.

Having worked in many prisons in England, I feel everybody needs to know what is going on in them. In our name. There was nothing in the series that I didn’t recognise from my years inside. As I am up against a tight writing deadline for my book (and this blog actually!), I am going to allow the three episodes to speak for me and bear witness to the sheer illogic, and all too often, inhumanity of our current system.

This doesn’t apply to all prisoners, but if we recognise that many addictive, violent and destructive behaviours derive from childhood trauma; if we fully comprehend the impact of untreated traumatic incidents, then the cruelty of locking up people, who were first and foremost victims, in what are often little more than hell holes, becomes very clear. 

My admittedly provocative opening question stems from a genuine desire to understand the answer.

For decades, the adult-generation of Germans living through the Second World War have not been believed when they say, ‘we didn’t know’ (about the concentration camps). And people around the world often blame them for having looked the other way. I don’t want to get into that debate here. There is a consensus among historians that some would have known, some would have heard about them and not believed it, and others would not have known. Most of the camps were miles away in the east and there was little access to free press. There was also a deadly dictatorship controlling thoughts and actions. Yet not knowing, or knowing and not doing anything, allowed the deadly system to persist for as long as it did.

I have been talking to a wide range of audiences about my experiences of working as an artist in prisons for nearly three decades. The most common thing I hear afterwards is a shocked “I had no idea.” It’s totally valid, I make no judgment. There are loads of things I have no idea about. But why don’t more people know about this? There are prisons in nearly every major town. The shocking statistics of failure, the appalling conditions and the tragic stories of many of the people locked up in them are reported on all the time, in every form of media. How can we not know about them?

There is obviously a wide spectrum from having no idea, to knowing but looking away, to knowing and acting. I would just like to use this month’s blog to encourage you to become more informed, specifically about the system in which we warehouse prisoners. Not just for their sakes, but for all of us who live in the communities into which they are returned… usually worse.

When enough people ‘have an idea’, things can and will change.

Watching this series is a start. It’s tough watching, but the reality is much, much tougher.

I dare you not to look away.

Reviews:

Time review – Sean Bean and Stephen Graham astound in enraging prison drama

Time review – like a punch in the face, but in a good way

Time review: This gripping, gruelling portrait of life in prison is essential viewing