Category: Post-war Germany

Holocaust Memorial Day, 27th January 2015

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Today was Holocaust Memorial Day, commemorating the day Auschwitz-Birkenau was liberated by the advancing Soviet army seventy years ago. Today Jews and non-Jews alike were reminded to remember what so many of us have no personal recollection of. Reminded how important it is to remember so that it will never happen again.

Today was also the launch of my talk on German Memorials and Counter Memorials, the second in my trilogy of talks “The other side” about World War II from a German point of view. It was a happy coincidence that King William’s College on the Isle of Man invited me to give this particular talk on this particular day, for it encouraged me and my audience not only to think about the victims of the Nazi policies of annihilation but also about the perpetrators and Germany’s ongoing and thorough process of apology on behalf of them.

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Remembrance Sunday: “David Cameron was close to tears and bit his lip…” For goodness sake, that sounds like something out of Fifty Shades of Grey.

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It’s 11am on 11.11.14 and that makes it time to write down my thoughts and reflections on what has been going on recently in terms of Remembrance.

Watching the Albert Hall Festival of Remembrance on Saturday night, I was struck once again by how well we British do pomp, symbolism and ceremony. It was truly powerful and with its combination of stirring music, potent narrative, and visual spectacle it has become an art form. Developed and refined over decades, it is designed to move you. And these days, I am quite sure, to make you cry.

Which is why I came away once again feeling slightly irritated by it. Irritated by the format that we are used to seeing  in the films of Spielberg and other directors of sentimental, patriotic films, designed to manipulate your heart strings and tear ducts  Nothing necessarily wrong with that, except that we seem to be living in a era where showing emotions, and watching other people showing their emotions in order to make us show our emotions, is not only de rigueur but essential to good viewing.

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Generation War: Our Mothers, Our Fathers. Does it go far enough?

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ImagePeering into the crater of my own family history, Jüterbog 2008

I don’t imagine 7.6 million viewers are watching this series as in Germany last year, but judging by the reviews and conflicting opinions expressed in online discussions, it is nonetheless making waves. Many people find it “brilliant”, with its focus on the personal within the wider historical context (as in Downfall and The Lives of Others). Some find it ‘unlikely’, that the 5 main characters’ paths would cross “as if all of Eastern Europe were no bigger than a park in Berlin”[1] or that they would be so openly friendly with a Jew in 1941 Germany. And some criticize how the drama of the story lines are often cliché and distract from the bigger questions – all hazards of portraying historical characters through a contemporary medium.

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Children of the Third Reich: A critical moral debate

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It’s Valentine’s Day and I am writing about the Nazis… again. “Will she ever let up?” I can almost hear people asking. But I’m afraid I can’t… won’t. Not yet. It is still too relevant a topic, as was proved by last night’s debate at the Southbank Centre where not one person in the packed hall moved, let alone left, even after 2.5 hours of listening to two elderly men, children of high-ranking Nazis, as they revealed their opposing relationships with their long-dead fathers.

To voluntarily exchange views and answer questions publically on this delicate and sensitive subject makes Niklas Frank and Horst von Wächter very brave and admirable men in my eyes.

Niklas, whose controversial book of 1987 “Der Vater” (The Father) broke taboos in Germany by admitting categorically that his father was a bad man, has always been determined to “acknowledge the crimes”. This led to a total rejection of his father. “But don’t you want to make peace?” Horst asks, driven by a strong sense of “duty” and “moral obligation” to find the good in his father. “I have. By acknowledging his crimes”, responded Niklas.

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Simon Jenkins I would kiss you, if I could…

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…for your refreshing article on 30.01.14 in the Guardian:

Germany, I apologise for this sickening avalanche of first world war worship. The festival of self-congratulation will be the British at their worst, and there are still years to endure. A tragedy for both our nations.

http://www.theguardian.com/commentisfree/2014/jan/30/first-world-war-worship-sickening-avalanche?commentpage=1

I too would like to apologise to the Germans for the largely immature, thoughtless, self-centred approach we seem to be taking towards this 4-year centenary. What on earth do we think we are doing? To what end are we striving with all this emphasis on ourselves as a nation of heroes, victims, winners? Our obsession with our victory a century ago is being seen with bemusement on the continent. Read some of Germany’s responses to Michael Gove’s renewed attempts to push the whole blame for the start of WWI on the Germans. Every parent knows that finger-pointing is childish. And yet the Minister of Education (of children no less) is still doing it 100 years after the event??! It’s not as if we are an otherwise innocent and peaceful nation that is regularly and reluctantly dragged into wars. Our leaders are gung-ho and ready to go. Look at Blair and Cameron chafing at the bit to get back into battle at the first opportunity.

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What relationship do we expect young Germans today to have to their country’s past?

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I was very interested in two of the questions I was asked in a recent talk to the sixth formers of a London boy’s school. Both were similar and in response to some statistics I showed about German students’ relationships to their country’s past. And both touched on one of my on-going questions in relation to young Germans today: Do we expect them to feel guilt and shame for what their great grandparents were caught up or directly involved in, or can they now be proud of their country and say with genuine conviction “It has nothing to do with me”?

The statistics from a Zeit Magazine survey of 14-19 year olds revealed, among other things, that:

80% believe remembrance of the Nazi times is important

67% believe it is their generation’s duty to make sure that Nazi Germany and the Holocaust aren’t forgotten

60% said they were ashamed of what Germans did in Nazi times

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What are we “remembering” on Remembrance Day?

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I found it symbolically pleasing to be planting bulbs as yesterday’s two-minute silence hummed over the radio waves across the UK. Sitting in the quiet sunshine, I started to “remember”, only to immediately bump into the questions: what and who am I remembering? And to what end? After all I have no personal “memories” of the First and Second World Wars, nor even of Iraq or Afghanistan. Relatives yes, but in the World Wars they were on opposite sides.

Bomber Harris memorial

Bomber Harris Memorial, (1992) London

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Frieze London’13… should this piece be there?

angela findlay2 Comments

Walking the labyrinth of this year’s Frieze London was a bit like exploring a huge playground for adults… or children actually. Lots of bright colours, smiley faces, flower-power daisies, a dog seemingly made of balloons twisted together and Jeff Koons’s  vast, kitsch (hideous) sculptures surrounded by bodyguards… Image

There were also many collage-based works, which of course interested me. Paint applied over photographic and printed material, transporting the literal reality of a photograph into another, more imaginative sphere. Several fun, beautifully crafted, clever and witty pieces too – large embroidered till receipts raising everyday rubbish into a grander sphere.  And a few pieces by some of my favourites – Cornelia Parker, Francis Alys, Tacita Dean – that added a depth and authenticity that I know I can trust.

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Is there a point in still talking about Second World War Germany ?

angela findlay4 Comments

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I found it almost impossible to write over the summer or to organise my thoughts into some sort of coherent flow while the sun shone outside producing the intrepid army of courgettes that now lies liquidized in my freezer. Instead I hung out in Nazi Germany, trying to organise 9 years of research into a 40 minute talk for schools and as yet unknown audiences. It was a process of willing black and white photographs to come to life to reveal what has been lurking in the corners of Germany’s post-war national silence for 50 years. But I also found myself wondering (with regular twangs of self-doubt) what the point is of still talking about this subject? And is it still relevant and important for today’s younger generations of English and Germans to engage with Hitler and the Holocaust, or have Bin Laden & other contemporary despots taken his place as ‘Dr Evil’?

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Having to tell people you are good… the joys of being self-employed

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The week ahead is a dauntingly big ‘Admin Week’ for me. Daunting because, for the self-employed, “admin” basically involves telling people that you are good; that they want you and need you. This doesn’t come naturally to the artist in me, precisely because I see my paintings as a way of saying what I want to say without having to say it. And the other parts of me don’t like it either, because they just don’t.

Sure, I have been known to get on my soapbox and spout off about things I believe in, that’s no problem: the huge defects of our prison system; the benefits of the arts to offenders; the potential power of apology within Restorative Justice, the un-funnyness of out of date anti-German jokes; recycling; growing potatoes; the music of The Cat Empire… I clearly spout off about a lot of things. But I find it harder to tell people how good my paintings are and why they should buy one, or how well my talks have been received by schools and why they should book one, or  how great my forthcoming art course on the Greek Island of Skyros will be and that they really should enrol. And yet that is precisely what this admin week requires me to do.

Let’s see if I can make it less painful for myself.

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