An abundance of plays at the Edinburgh Festival revealing the shadow side of the alpha male psyche

Two shows at this year’s Edinburgh Festival left me feeling… well, strange. One was about a male ex-prisoner, the other about a female victim of rape. Light, cheery subject matters for me as always, but actually, intense and personal story telling abounded.

The first play was Doubting Thomas, created by multi-award winning director Jeremy Weller. The listings said: Thomas McCrudden, a man with a tortured and violent past but with hope for a different future, tells his own complex and moving story about abandonment and the stress of being forced to take on multiple roles, in Thomas’s own words, “…none of which were me! When I was growing up, I wasn’t able to accept love, and that created not just a man without a conscience or empathy. It created a monster.” 

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VE Day 70 years on – a time to celebrate victory or a time to also to look more closely at the price of war to women and girls?  

Within the context of my interest in WW2 Remembrance, May offers a welcome break from the misery and darkness. It is indeed a time to celebrate, for on May 8th 1945 Churchill was finally able to announce that the war was over in Europe. The jubilation was naturally boundless and Britain threw the biggest street party the country had ever seen. The Allies had triumphed over the Nazi enemy, Germany had unconditionally surrendered, and it would be the end of death and destruction.

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