Tag: Peace

Peace on earth, goodwill to men… and women

angela findlay4 Comments

I am not a huge fan of Christmas, but I do love the peace of the days that follow the rush and stuffing of stockings, fridges and bellies. A stillness descends as exhausted people navigate the aftermath of families, toy-strewn floors and overflowing bins. Finally, those of us in the northern hemisphere can follow winter’s call to slow down, rest, and listen to the wisdom of our hearts and souls before the new year draws us back into action. 

Peace is not something we can take for granted anymore. Fighting – with words, ideologies or weapons – has increasingly become the norm. We have just been told by the UK defence minister, Al Carns, that “the shadow of war is knocking on Europe’s door.” And warned by NATO boss, Mark Rutte, that “we must be prepared for the scale of war our grandparents and great grandparents endured.” In this year marking the 80th anniversaries of the end of the Second World War, I’ve been asking myself: how do we maintain peace in a world in which so many of the vows and institutions created to prevent future wars are under threat? How do we ensure that ‘Never Again’ still holds? Various recent events have been shaping my thoughts.

In early December, the German President Frank-Walter Steinmeier and his wife, Elke Büdenbender, embarked on a three-day state visit to the UK, the first in 27 years. In his speech at the state banquet hosted by King Charles III and Queen Camilla, Steinmeier highlighted the deep connections between Britain and Germany; how traditions from each country have been woven together so tightly that their origins are now obscured. Not least among these is the Christmas tree. The first one was displayed in Windsor in 1800 by the German Queen Charlotte, wife of King George III, and the custom soon spread to living rooms across the UK. The same is true for Battenberg Cake – a story I love and have often told in my work (see my December 2017 blog). 

L-R: President Steinmeier, Dean of Coventry, Elke Büdenbender, Duke of Kent…

On the final day of his visit, President Steinmeier travelled to Coventry Cathedral. He and his wife were greeted by His Royal Highness The Duke of Kent who, among his other roles, is Patron of The Dresden Trust. Coventry and Dresden have been twinned since 1959, linked both by the devastation of the bombing raids each country inflicted on the other, and by the many decades of peace and reconciliation work that have followed.

Al Murray and James Holland

At around the same time, I had been sitting in one of Goalhanger’s recording studios. You may know them for some of their most popular podcasts in The Rest Is… series, including the chart-topping The Rest Is History and The Rest Is Politics. I was there with Henry Montgomery to talk with historian and broadcaster James Holland, and comedian and ‘Pub Landlord’ Al Murray, on their equally popular WW2-focused podcast, We Have Ways of Making You Talk.  Henry, also the grandchild of a high-ranking army officer – in his case the British field marshal best known as ‘Monty’ – and I had previously spoken together on VE Day at the National Army Museum. As I have mentioned in other blogs, we are exploring from our different perspectives how well Britain’s remembrance culture is really working. With ever fewer World War veterans and first-hand witnesses still alive to warn us of the horrors and futility of war, is it doing enough to keep “Never Again” a lived reality?

National Army Museum: Henry Montgomery, me and Daniel Cowling, May 2025

When I look at the visuals of Britain’s remembrance culture that make it into the media – for many people, perhaps the only occasions where they will actively ‘remember to remember’ the lessons of history – I fear we are not going far enough. We see mostly men in dark coats laying wreaths and solemnly reaffirming vows to uphold the peace and international friendship while elsewhere in the world other men stubbornly refuse to make it. We see the bright regalia of royalty and the glinting medals of veterans. It is the language of the military and the state: formal, symbolic and carefully choreographed. All fine and important. But peace is not confined to grand stages or organised occasions.

Listening to Radio 4’s brilliant Reith Lectures, this year titled Moral Revolution (what could be more pertinent in our times?) and delivered by the historian and author Rutger Bregman, I was struck by a description of a Quaker practice to bury the dead in unmarked graves. In stark contrast to the fields of Commonwealth War Graves and annual remembrance rituals, they believe you don’t honour people with costly headstones but with actions. Thomas Clarkson, the famous abolitionist who wrote extensively on the Quakers, said: If you wish to honour a good man, let all his actions live in your memory so that they may constantly awaken you to imitation, thus you will show that you really respect his memory.

In a similar vein, Germany’s counter memorial movement, which began in the 1980s, fundamentally changed the dynamics of memorialisation. Through its shifting, disappearing monuments and memorials to absence, the focus turned toward the millions murdered by the Nazis. Responsibility for remembrance and for ensuring such destruction never happens again was transferred from stone and bronze into the hands of ordinary people. 

And that is where it belongs. Peace is sustained not only by treaties, leaders and ceremonies, but by us – each and every one of us in our daily lives. 

So if, like Rutger Bregman with his call for a Moral Revolution, we were to start a Revolution of Peace, what might it look like? What would its optics be? What language would it speak and who would embody it? I suspect it would be a revolution that brings heart, warmth, listening, sharing and art into our everyday encounters. One with no emphasis on sides and differences, winners and losers, no interest in egos, power games or deception. Idealistic maybe, but arguably closer to what is naturally human for many of us than conflict and war. 

Perhaps over Christmas we can practice peacekeeping: at kitchen tables, in disagreements, in how we speak to one another and how willing we are to listen. In choosing curiosity and compassion over judgment. In noticing where hostility quietly creeps into our own lives and questioning the ingrained narratives that divide the world into a good and right ‘us’ and a bad and wrong ‘them’.  

When peace is on the line, remembrance must shift from an act of looking back to a commitment to shaping the future. Just as conflicts and wars escalate out of countless small decisions, so peace does too. May we – and the world’s leaders – choose peace in the year ahead.

But first, let the mayhem continue… Wishing you all a very happy festive season, a meaningful Winter Solstice, a restful and restorative break and, in 2026, peace on earth and goodwill to men… and women.

The We have Ways… podcast episode is due to be published on 30th December in all the usual podcast outlets.

Remembering, while watching falling leaves…

angela findlay6 Comments

I normally plant bulbs on Remembrance Sunday. But this year I’ve been ill. Instead I went for a gentle walk in nearby woods, silent but for the breeze combing its way through the upper branches.

Down below, all was still. Except for individual leaves falling like snow. Each one taking its moment to break from the twig to which it had been rooted since the spring and dance in a series of pirouettes, twirls and summersaults before landing quietly among the already fallen. Unseen except by a chance walker. 

Do they pick their moment, or are they plucked from life?

A certain readiness is a prerequisite for each leaf to fall. In summer, winds can howl through the branches and yet the leaves remain bound to the tree, weathering the storm, held in place by life forces that ebb and flow in synchrony with the seasons.

Death is natural for these fallen.

As I shuffle through the carpet of rust and gold, the rustle so reminiscent of childhood memories – kicking through the golden floors of beech forests in little rubber wellies – I can only ponder the dead. The war dead all around the world. The families they left behind. The scars of loss, grief, trauma and silence that remain in their wake, often hidden for generations, shaping the souls of those who come after.

We call them the fallen. It softens the reality of how they died. But while we remember them with warm hearts and deep gratitude, let us – with all the advantages of hindsight – not forget the utter horror, violence and futility of war.

As countries around the world build their armies and arsenal, let us refrain from falling into the trap of thinking war can ever be a solution to political, religious, geographical or economic problems.

Let us remember that the cost is always too high.

When big isn’t necessarily better

angela findlay4 Comments

Reflections on: IN PROCESS… a life, a film, a book, an exhibition, The Vaults, Stroud. Sunday 19th October, 11am-5pm and by appointment until 1st November.

 

“We must, we must, we must increase the bust.

The bigger the better, the tighter the sweater, the boys depend on us.”

I remember chanting that with my boarding school roommates as a teenager, elbows flung back in a futile attempt – in my case at least – to inflate our adolescent chests. Bigger was definitely better, or so we believed.

Burj Khalifa, Dubai

Skyscrapers, cars, salaries, houses… In so many areas of modern society, ‘big’ still equals ‘better.’ More followers, more likes, more headlines, more sales. The biggest countries led by the most powerful leaders and largest militaries make the most noise. And yet we know, quantity doesn’t equate to quality. Magnitude doesn’t always reflect meaning or value.

This idea – that bigger isn’t always better – is something I’ve seen reflected both in the trajectory of my great great aunt Joan’s life and in my own development as an artist. (If you are new to Joan’s story, please see my previous blogs for background.)

Patshull Hall, Staffordshire

Joan’s tent

Joan grew up in a 147-room stately home in Staffordshire. Yet she spent her final weeks in a single, often soggy Meade tent pitched in a remote Himalayan Valley, surrounded not by grandeur but by shepherds, wildflowers and the sound of rain. She had traded scale for purpose. And her joy, it seems, had grown as her material load had lessened.

My own artistic journey has followed a similarly inverse curve.

Painting a mural in Sydney, 1987

I began large, unable to contain any drawing or painting within the boundaries of paper or canvas. My work spilled onto walls, first private then public, then grew further to fill stage backdrops for theatres or touring bands. Various mishaps including a paint-splattered boss’s car and a disastrous commission to paint the backdrop for INXS KICK album tour in 1987, which promptly cracked and fell off in large chunks when rolled up, nudged me toward the more forgiving surface of prison walls. There, no amount of damage could make the environment worse than it already was.

The light danced, 120x120cm

Years later, I turned my focus to canvases of my own, their size dictated by the available studio space and commercial considerations of galleries. And most recently, to works just 28x28cm – or smaller. I have replaced the vast audiences of art fairs with the quiet intimacy of just six or seven visitors at a time into the two vaults beneath my home in Stroud’s Cemetery.

The Vaults

Those vaults now house In Process… a deeply personal exhibition about Joan, her life and the resonance her death still holds for me, our family and small communities she encountered in India.

In one vault, where gravediggers once hung their tools and I now hang mine, visitors watch a short film projected into the open lid of an old trunk telling the story of Joan Margaret Legge.

In the other, where those same workers drank tea, ghostly white plaster casts hang like three-dimensional botanical drawings reminiscent of the specimens Joan collected and sent to Kew Gardens.

‘138 days’

A series of square sketchbooks chart the 138 days I followed Joan’s 1939 diary entries. Starting on 17th February when I stepped into her shoes as she boarded a ship to India, I step out of them again on 4th July, the day she slipped off the edge of a Himalayan path to her death. One photograph, one sketchbook page, each day a quiet re-embodiment across time. Not a recreation of her journey, but a chance to listen more deeply to the changing tone of her voice in the final months of her life.

At the heart of the exhibition is its smallest piece: a re-working of a first edition of Frank Smythe’s Valley of Flowers, the very book that inspired Joan’s expedition. Through collage, drawings and pressed flowers, it now tells the stories of three visitors to the valley rather than just one: his, hers and mine. Wrapped in brown paper and tied with string like an archival package, the book invites visitors to wear white gloves to turn its delicate pages, not because it is precious in a monetary sense, but out of respect, Unlike most artworks, these ones are meant to be handled and engaged with.

‘Three journeys in one’

There is nothing for sale. No press campaign. No sponsorship. Just a quiet space, tucked away in a garden, found by invitation or chance. A strange but deliberate choice, and to me, a more authentic reflection of the humbleness of where Joan’s life ended than any traditional gallery could offer.

What Joan lost in material possessions, she gained in purpose and joy. Her life distilled into what nine porters could carry. She found a sense of completeness long before she had completed her journey.

That’s what I hope to convey in the improvised, immersive pieces shown in the warm belly of my limestone vaults. People forgive imperfection and lack of polish as they connect with Joan’s story through their hands, senses and bodies.

Just as artists learn to see not just form but negative space – the shapes between things – so Joan’s outwardly abundant life transformed into an inner world: slower, quieter, less visible, but not lesser in any way.

Maybe this is a natural outcome of ageing… the gentle decluttering of ambition and a reshuffling of values. Or maybe Joan’s story is a simple reminder that richness cannot always be seen and meaning doesn’t always require an audience.

The symmetry in our shrinking trajectories is just an observation.

But it feels strangely right.

IN PROCESS…

Sunday 19th October, 11am-5pm and by appointment until 1st November.

The Vaults, 114 Bisley Road, Stroud

 

 

 

Following Joan… Part Three

angela findlay6 Comments

(If you are joining Joan’s story now, you might want to read Following Joan… Parts One and Two first.) 

‘Do you think she jumped… or did she fall?’

It’s 2020 and I am sitting opposite my uncle, a grandfather clock tick-tocking the present into the past.

That question has always lingered around the name of my Great Great Aunt Joan. She was said to have been troubled, never having recovered from the death of her beloved older brother, Gerald, killed at Gallipoli in the First World War. Ill health had dogged her. And as another war loomed on the horizon, perhaps she could not bear to witness more loss. 

I sometimes wish I could type ‘Joan Legge’ into the search box of my life’s hard drive to locate the exact moment her story began to intrigue me. Perhaps it was a conversation with my grandmother, Joan’s niece. Both she and her younger sister had believed, independently, that Joan would not return from her trip to the Himalayas in 1939. Their mother was said to have ‘the gift’ – an unfathomable intuition, a form of knowing that slips past reason. 

That fascinated me, for even as a child I sensed there were hidden channels of communication and knowledge beneath the surface of ordinary life. Perhaps their foreboding of no return planted the idea that Joan’s death had been deliberate.

Joan 1905

Or maybe it came from the anecdotes I gleaned over time from my father and uncle about this eccentric spinster who, after Gerald’s death, cast off the frills and trappings of aristocracy and privilege to forge a life of farming, service and adventure. A life that ended in solitude, in a remote valley half a world away. 

Some lives close with a sense of completeness, even peace. Death may be welcomed after a struggle with illness or the slow wear of age. Others remain unfinished, wrapped in mystery, unresolved, tugging at the conscience of descendants like a child clutching at its mother’s apron strings. 

Joan’s sudden death was of that latter kind. It sent shock waves through the generations, softening with distance into small ripples. Even now they lap at the shores of my own soul. 

Map of the Valley of Flowers, the site of Joan’s camp, death & grave marked in red
©Staffordshire History Centre

It was only last year, travelling to the Valley of Flowers with three of Joan’s descendants, that I fully grasped the scale of her courage. And the violence of her end. The monsoon rains offered us just a fleeting glimpse of the place she fell, its position traced on a map sketched in the days after her death. Yet it was enough to shatter the gentler image I had long created of her tumbling down a wooded slope. The truth was starker. Joan had fallen clean over the edge of a sheer granite cliff.

Her fall haunts me. Those unthinkable seconds of awareness, knowing you are hurtling toward your end. How different from a death that comes inch by inch, offering time to prepare, to resist, to rage, or to reconcile. In July 2024, when I left the Valley of Flowers and Joan’s remote grave, a sudden grief overwhelmed me, buckling my legs and landing me in a pile of donkey droppings. Yet Joan’s own words leave no room for doubt. Her diaries brimmed with excitement for the months ahead, with awe for the surrounding peaks, and with delight in her adventure. She did not choose death. She was very much alive.

So why does her story touch me so deeply? Why not my great grandmother, killed in a car crash?  Why not my grandfather, the ‘muck and magic man’, pioneer of organic farming? Why Joan? And why me – the only one in the family drawn, again and again, to the lives behind us rather than those unfolding ahead? Is it because I have no children to anchor my gaze forward? Or is it that I have no children precisely because the voices behind me insisted on my attention?

Gerald (far left), Joan’s father (seated left), Joan (centre) and others, 1907

Perhaps neither, or both. What I do know is that the dead have enriched my life. And in honouring them, in breaking the silence of the unspoken, in unravelling the mysteries and untangling the knots they left behind, I believe their presence has enriched the lives of others’ too. 

Through my recent studies in Family Constellations, I have increasingly come to experience life as a river, flowing on with or without us. We step into its current for longer or shorter spans, mingling in the same waters where our predecessors once moved. What matters is not the length of time, but the resonance we leave behind. Not quantity, but quality.

Birth is the one beginning we all share. But our endings are as varied as our lives. Accident, chance, destiny, choice… no one can know death’s moment or manner, only its inevitability.

So was Joan’s death a tragedy as her obituaries mourned? Or was it a brilliant ending to a life lived fully right into its final breath? 

Draft for Joan’s eulogy by her sister: ‘If in another world kindred spirits dwell together there Joan & her brother Gerald will be found, I think, among a happy throng of pioneers and explorers of all ages. Courage, endurance and an indomitable will were possessed by this devoted brother and sister and both lie buried in a mountain grave & as one of her friends wrote, ‘”already halfway to Heaven”. She started on her greatest hazardous adventure joyfully and she died as she had lived, unafraid – ‘

Joan and Gerald, 1907

I dedicate this blog to my dear friend in Australia, Tas. Over the past six years, corticobasal syndrome (CBS) has been claiming his body, his movement, his speech. And yet his spirit, his humour, his integrity and his enduring delight in friends, family and life itself still blaze. To know him is both an inspiration and a gift I deeply treasure.  

Further details of my exhibition / event on Joan will follow in my next Blog.  

Following Joan… Part Two

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(If you are joining Joan’s story now, you might like to read ‘Following Joan… Part One’ first)

‘Goal reached, Valley of Flowers. Fritillaries nodding their heads around me. Men off.’ 

On 20th June 1939, just over four months after leaving England, 54-year-old Joan and her troop of porters reached the Valley of Flowers in the northern Indian Himalayas. 

It was ‘a morning in a thousand’. Firs and jasmine scented the air, dew drops sparkled & everyone was cheerful & happy. The track wound up and down until it suddenly dropped sheer to the river. At the bottom, the worst native bridge Joan had encountered yet stretched precariously across a particularly turbulent section. ‘If I had met it in the early days I don’t think I could have faced it.’  

Then came a real climb, so steep she had to crawl part of the way. Even with ice axe and climbing boots, she couldn’t stay upright. The path clung to the side of a mountain which plummeted several hundred feet into the raging waters below, the ground crumbly and uncertain. But she pressed on. ‘One is so busy placing feet that one hasn’t time to think of possibilities.’ 

They slid down a precipice, hanging on to rhododendron bushes, crossed another snow field, then climbed again. Ganga Ram & Amba Dath – two of Joan’s three most loyal young guides – clearly thought she was too slow. ‘Each took a hand & ran me up paying no heed if I was on my feet or not. I had to beg for mercy twice as really they nearly finished me off,’ she wrote. And then they were there. The goal reached. The Valley of Flowers.

Tents were pitched exactly where mountaineer and author Frank Smythe had camped for several months in 1937. With three men managing the camp and plans to stay there until October, Joan was free to roam and explore the terrain of her new home in search of alpine flowers. The monsoon rains were gathering. Conditions would soon become unimaginably wet and the ground increasingly treacherous. But Joan was deeply happy.

July 2nd. ‘It was the most glorious evening, every way you looked magnificent, through the gorge range upon range of perfect mountains…’ The descent from these dizzying heights, however, was less glorious. Rains had rotted much of the ground and the final stretch was so steep that she had no choice but to descend on her seat, using the ice axe as a brake. Yet Joan revelled in challenge and beauty alike, undaunted by danger, enchanted by flowers and alive to every shifting shadow. ‘All the way back to camp I had the great joy of watching the last sun on the peaks across the river, orangey pink… the rest of the snow getting white & harder, then that green when they look so severe & unapproachable.‘

That night was lovely but cold. A bright moon rose over the range, catching the snowy summits in the east. Though Joan’s camp lay in darkness, the moonlight made the mountains glow. ‘A fairy world,’ she wrote, ‘beautiful beyond words.’

July 3rd. ‘The men started singing before 5 o’clock this morning, it sounded so nice. The ground has all dried up & things are extremely lovely. If we get spells of two days fine, it will be a great help. Everything is growing very fast.

The following day, Joan was dead.

©Staffordshire History Centre

As abruptly as her life ended, her diary – so alive with wonder – skids to a halt.

Silence.

A telegram or letter from the sub-postmaster in Joshimath informed her family. Joan had slipped, fallen and died instantly. Due to the remote terrain, her body was carried back to camp and preserved in the snow until a magistrate could formally record the death. When her sister, Dossy, requested that Joan be buried in the valley, a small grave was made. A year later a headstone was erected, apparently delivered by Dossy herself.

Except that last bit has been deemed most unlikely by Dossy’s grandchildren who can find no record of their grandmother having made the long, arduous journey to India in the first year of the Second World War.

Without Joan’s detailed voice to explain what happened, conflicting accounts have taken root, a Chinese whisper of history… herstory. Was she reaching for a flower to add to her collection of specimens for Kew Gardens? Did she just slip, the edge of the cliff invisible in dense fog? For several years, I’ve tried to disentangle fact from error and in late July 2024, I and three of Joan’s descendants travelled to Ghanghariya, a colourful, bustling shanty town of damp hotels, pilgrims and donkeys, ready to make the long climb into the Valley of Flowers. The landscape might not reveal the past, but it could not lie.

Ghanghariya

We were warmly welcomed at the impressive Information Centre, honoured guests of the great-great-grandchildren of shepherds, villagers, and guides from Joan’s time each eager to share their version of what had happened to ‘Legge Ma’am’. Soon I had scribbled five different endings to Joan’s life in my little green notebook, the one that would mysteriously vanish a few days later as if to tell me: it didn’t really matter. The only truth that did, was that Joan had not been forgotten.

The next day we set off, once again retracing Joan’s footsteps, traversing the same raging river (via a slightly less terrifying bridge) and climbing the steep slopes into the valley.

Low cloud concealed Joan’s snowy ‘majesties’ and even the valley itself. Flowers, shoulder high, lined the narrow trail until a small hand-painted sign forked it and directed us to the right.

‘Leggy Grave’ could not have been more remote. With the original, broken headstone having been generously replaced by Infinity Outdoor Explorers and the area lovingly tended by villagers, Joan rested, Ophelia-like, among geraniums, potentillas and flowers whose names I don’t know. But she did.

Buried under snow for eight months of the year, this was where my intrepid great-great aunt found peace. A ‘lost daughter of the Himalayas’. And in the prophetic words of the sub-postmaster written over eight decades ago, ‘though death is inevitable, her death in a lonely forest under the tragic circumstances will always be mourned.’

While Joan lives on in the hearts and imaginations of people in northern India – many of whom have trekked miles to pay their respects – back in England, her name, her journey and her collection of flowers had all but vanished into the obscurity of family attics and forgotten archives. She entered my orbit in my twenties, a bright star that inspired independence, courage, a different way to be a woman in the world. I’ve followed her willingly, right to the edge. Imagined her fall… falling… falling… time stretching to infinity like a bungee… then snapping.

A tragic death, or an enviable end to a life well-lived? I’ll let Joan speak for herself.

‘… if we would only give up struggling after worldly things. They don’t count much when you come face to face with what the old Sardou calls the sublimity of the Himalayas whose magnificence, serenity and everlastingness grip one right to the core. You will probably think I am mad, but I don’t think so. There are things that stand and are I think increased, they are love and gratitude.’

Joan, June 1939

Forthcoming Event:

At the end of September, you are warmly invited to an exhibition/series of events showing research and art created in honour of Joan. Exact dates and details to be confirmed, but it will be in the beautiful Chapels of Rest in Stroud Cemetery.

Looking at our present and future to find the lessons of the past

angela findlay2 Comments

On February 13th at 9.45pm, the bells started; asymmetrical tones infusing the snow-sprinkled city. 

People wrapped in scarves and silence, stared at the dome of the Frauenkirche that 80 years before had been mangled by bombs into a pile of rubble that would scar the city for over fifty years.

Candles placed on the ground flickered benign flames as memories haunted the minds of those who had witnessed a firestorm that melted asphalt, roofs and neighbours alike.

A human chain of hand-holding citizens wove through the resurrected buildings, knitted together both in remembrance and defiance of the re-emerging forces of lessons not learned.

“Your racism makes us sick”

This year’s anniversary of the British and USA bombing of Dresden was determined not simply to look back and roll out familiar but increasingly empty tropes such as ‘Never Again’. Instead, ‘Future through Remembrance’ was the theme repeated through the activities I attended as a Trustee of the British Dresden Trust. Younger generations from Germany, Ukraine, Poland, UK occupied the foreground mingling the wisdom of elders with messages that gave genuine hope for our troubling times. 

Stay awake. Be aware and curious as a child about what is happening around you. Look at history from multiple angles. Step back to see it in perspective. Take responsibility. 

Benjamin Britten’s War Requiem followed by silence in place of applause gave the horror, tragedy and futility of any war the viscerality needed to galvanise us out of complacency into using Remembrance fiercely rather than sentimentally; to unite us as human beings, each with a heart and soul that thump with a longing for peace. 

It was the move from formality to informality, from grand gestures to tiny actions we are all capable of doing everyday, that left the most lasting impression. From pomp and ceremony to conversation; from people in suits or uniforms telling us the importance of remembrance of a time that is increasingly distant, both temporally and emotionally, to a lively exchange between young and old from different nations on the values of democracy and peace.

Peace that is all too easily taken for granted. 

Further Reading and Links

The Dresden Trust

History and politics collide as Dresden mourns its destruction in WWII by Katja Hoyer

DRESDEN: A Survivor’s Story by Victor Gregg

DRESDEN: The fire and the darkness by Sinclair McKay

AIR RAID by Alexander Kluge

The Duke of Kent marks the 80th anniversary of the bombing of Dresden

Commemoration: 80th Anniversary of the destruction of Dresden

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This liminal space…

angela findlay8 Comments

It will be different for everybody. But I love the quietness of these in-between days… 

That bloated weariness from endless festivities and good will. The jaded sparkle of unwrapped gifts spilling out of recycling bins. The jingle of carols fading as the challenges of Christmas are banished into as distant a future as any one year allows. 

For me there’s a sense of peace. A release from the storm of traditions. A disorientation. A heart full of gratitude.

With New Year still to celebrate, there’s just one last real or symbolic cork to pop. Then it’s back to reality with its resolutions, rhythms and routines. Bleak mid-winter stretched unruffled, a blanket of dark fields tucked into the horizon over a sleeping, muddy countryside.

Trees stand brittle, skeletal. We know Spring will come, but in the immediate months ahead it is easy to lose faith that colour, light and warmth will ever return. 

Looking closely, however (with a slightly alarming nod to climate change), small promises have already started to decorate bare branches like fairy lights. A little pink blossom here, a tiny green bud there.

But it is out of sight, below the earth’s surface, where the real hope and action thrive. 

My recent move from storage to studio has uncovered numerous sketches and paintings I haven’t looked at for over twenty years. They were painted in the nineties when I lived on the west coast of Ireland consciously engaging with the four seasons and their corresponding echo within the inner rhythms of a human lifespan. Inspired by Celtic mythology and various spiritual traditions, my thirty-something-year-old self saw winter as Mother Earth’s pregnant womb, and Spring the birth and dance of youth. 

On a soul level, we experience winter in those times when it appears nothing is happening. When everything seems dead, stuck, over. It can feel eternal and deeply uncomfortable. We might search for escape in company, drink, exercise, work… or chocolate and movies. Might make wrong decisions through impatience to crank up the old and move forward. Then one tiny shoot of new growth breaks through the surface and into our lives. The season changes and Winter’s purpose is revealed as saps start to rise unstoppably. Energy returns after its slump… or slumber. Because of its slump or slumber. New creativity flows. Our soul’s spring has arrived.

In the meantime, this darkness can nourish us. It invites stillness and rest. Quiet intimacy. Soul. Life is tiring… winter offers us a chance to withdraw and replenish our energies. So I welcome these dark mornings, short days and early nights – ideally interrupted by crisp sunshine to brighten the spirits – as a period of germination. An opportunity to lay off the guilt of achieving less as we enrich more. A time of holding rather than pushing.

With all that in mind, I wish you a gentle, inspiring, meaningful and happy path into your New Year.

(All the paintings above are a mixture of acrylic and/or pastel and roughly 75x55cm)

Remember, Remember… we all lost

angela findlay2 Comments

‘Tis the season to remember. In our progression through the grey gloom of this autumn [just 18 minutes of sunshine since 28th October apparently!] and the celebrations of Halloween, All Souls, Samhain, Guy Fawkes and November 11th, the dead take centre stage. Leaves and forest floors redden while poppies bloom on jacket lapels, village monuments and shop counters. This Sunday in London, as on all Remembrance Sundays, red wreaths will be laid by royalties, senior politicians and Commonwealth High Commissioners before some of the last surviving WW2 veterans march or are wheeled past the Cenotaph.

We have been collectively remembering Armistice Day since 1919, the first anniversary of peace at the end of World War One. Remembrance has since been extended to both World Wars and all those who have given their lives in service to defend our freedoms. It is a hugely important day for the British, the Commonwealth and many other countries around the world, albeit not in Germany. There, since the Middle Ages, 11am on 11.11 has marked the start of the carnival season and, on a more serious note, Armistice Day is not considered to have welcomed the beginning of peace but years of intense unrest and far worse horrors to come. 

British and Commonwealth dead

I often dedicate my November blog to our traditional, deeply moving and impeccably executed rituals of remembrance, but not always without a little questioning too. Through the 15 years of research for In My Grandfather’s Shadow, I came to appreciate a far broader narrative of WW2 remembrance than that which Britain generally embraces and teaches. Granted there has been welcome progress over the decades with the inclusion of women as well as the huge contributions and sacrifices made by Gurkha, Indian, Sikh, African and Caribbean servicemen, among others. But there is still widespread ignorance of the bigger context.

Russian dead

When I give my talks, I often use statistics. They provide a solid, black and white foundation of fact to my more psychological / philosophical ponderings. So often these figures shock. For example, when I ask people to guess the total losses, including civilians, of say Russia, Germany and Britain in the Second World War they are usually so far out that they themselves are horrified. I challenge you to make a guess… I’ll put the answers at the end of the blog. One man literally went white when he realised how wrong he had been in his thinking or, by his own admission, his lack of thinking. Another woman recently wrote to tell me how my book had opened her eyes in so many ways. “First off,” she said, “the big realisation of how little I have understood of the two world wars, my ignorance of those times and the aftermath.” This despite attending remembrance services all her life. 

German dead

The quantity of deaths doesn’t mean each death was any less keenly felt. But I think she voices what is probably true of most of us. I certainly was ignorant of the broader landscape of loss and destruction, and no doubt still would be if I hadn’t had German roots that needed excavating and hadn’t made trips through Germany and Russia that exposed me to other ways of looking. The World Wars are the episode in history with which the British are often accused of being unnaturally obsessed. And yet, as a nation, we often present it as a deceptively straightforward story of good triumphing over evil. The victors write history after all. 

Every nation has its ‘chosen traumas’ and ‘chosen victories’ which serve as cornerstones to its identity and prevent true healing from the past as they continue to play out in the present. We frequently have binary views of how we should feel based on – to use the reader’s words again – “simplistic, reductionist understanding… goodies and baddies…” Rarely have we “considered what it must feel like to have a different identity…” 

I really appreciate and admire this woman’s soul-searching honesty. The humility and gentle opening to hearing the other sides’ stories gives me huge hope.   

Healing, reconciliation, peace, forgiveness… all goals we strive for within our culture of Remembrance… can best come about when we become familiar with and find some understanding for the other side’s experience. Maybe, with our greater distance from both the acute trauma and the impassioned jubilation of our forebears, that is what generations now and in the future can strive to do more of. 

Answer to my statistics question: Out of the around 60 million people killed in WW2, 26 million were Russian, approx. one third of them military and two thirds civilians. Between 7-9 million Germans died, roughly 6 million were soldiers and 3 million civilians. In the United Kingdom, just under 451,000 were killed. That’s 383,800 military, including combatants from overseas territories (Crown Colonies and the Indian Empire), and 67,200 civilians.

In the Flow: Ode to the River Severn

angela findlay1 Comment

First Encounter with the River Severn

June 1999. You wouldn’t know it was there. Nothing suggests the proximity of Britain’s longest river as you amble down the canal towpath at Frampton-on-Severn. I have a hand-painted sign promising Cream Teas to thank for its discovery. The arrow lured passers-by through a hedge and into a wonderland of round tea tables bedecked with embroidered tablecloths and mis-matching crockery and arranged beneath the boughs of a huge copper beech. A tall man navigated trays of silver teapots and 3-tiered cake stands along narrow paths mown through the long grass. 

I had moved back to England after 10 years living abroad and was checking out the Stroud area as a possible new home. The top floor of the accompanying Lodge was up for rent, I soon learned… would I like to look at it? A sweeping staircase carried us up two stories and into an apartment of hexagonal rooms adorned with small fireplaces. Then, bending double, two miniature doors awkwardly birthed us onto a roof terrace and into the breath-taking view that would become my world. The River Severn stretched like a taut blue sheet tucked into a distant shore. Low tide mud sparkled. Silence was broken only by the soft chink of teacups on saucers.

Life on the River Severn

I would live in that apartment on the Severn for nearly three years. Every day I walked along the banks of the estuary, my breath aligning with the deep ebb and flow of the tides. 

I witnessed the stoicism of a little oak tree holding its precarious own through the seasons, storms and floods; watched cows amble home at dusk accompanied by the swirling black clouds of starlings that condensed and evaporated in the gentle orange glow.

This was where I became a professional artist, scooping rich, melted-chocolate mud into buckets, mixing it with paint and dancing sky and weatherscapes onto large canvases with my hands. 

On many a chilly morning I stood on the Severn’s banks with mugs of coffee and expectant crowds waiting for the world’s second highest Bore to swash its way up the estuary and carry brave surfers upstream. Once, in the pitch of night, I crossed its swirling waters in a rickety old boat and returned in the frozen pinks of dawn. 

A Severn Bore

In later years, I would park my camper van on its shores, drink chilled glasses of wine in the sun’s last rays and sleep through rising moons and meteoric showers. 

I have a rich store of happy, muddy memories of the River Severn.

Walking the Severn Way from source to sea

For the past eight months I have followed its 220-mile course [albeit not in order] from source to sea; from the peaty uplands of Plynlimon in Mid Wales, north-east through Powys and Shropshire, then south through Worcestershire, Gloucestershire to where it sweeps into the Bristol Channel… the Celtic Sea… the Atlantic Ocean. 

Map from the Severn Way Guidebook by Terry Marsh

Within a mile of its boggy birth, the infant Severn starts tumbling through the Hafren Forest, gathering erratic speed like a toddler until the ‘Severn-break-its-neck’ Falls plunge it into the valley that will bob it to its first town, Llanidloes.

Assuming a steadier gait, it meanders through undulating pastureland before looping north to cross the Welsh/English border at Crew Green. Growing prosperity expands its girth into a watercourse that cuts through floodplains as it heads into the dense cluster of the period buildings and timber-framed mansions that formerly made up one of Britain’s most prosperous wool and cloth trade towns, Shrewsbury.

Past the birthplace of Charles Darwin, a glassy stillness and almost imperceivable flow belie the Severn’s true force as it smoothly snakes its path between overgrown banks of willow, elder and the deceptively pretty pinks of thuggish Himalayan Balsam.  

History punctuates the landscape with traces of Roman forts and roads, a Saxon chapel, the evocative ruins of the Cistercian Abbey at Buildwas, 16th Century market halls and sandstone caves that once sheltered hermits or stranded travellers unable to cross the river. As the Severn bullies its way south through gorges striped by coal, limestone and iron ore strata, the legacies of once booming industries and trades are memorialised in mines, railway stations and canals that once linked local towns across Britain. 

Regular bridges drip feed the imagination with the industrial revolution. Ironbridge boasts the world’s first iron bridge cast by the grandson of Abraham Darby in 1779 in the wake of his grandfather’s revolutionary discovery seventy years earlier that coke could be used for smelting iron instead of charcoal. Further downstream, the fortified town of Bridgnorth perches on a sandstone cliff. Once the busiest port in Europe, it hummed with the sound of iron works and carpet mills, breweries and tanners until the 1860s when railways heralded the end of river trades.  

Following its increasingly wide, milky-coffee-coloured road, vocabulary from school geography lessons surfaced from the recesses of my turbulent education: Oxbow lakes, flood and sandbanks, confluences; soaring cumulonimbus or, equally frequently, water-dumping nimbostratus clouds.

South of Gloucester and around the peninsular at Arlingham, the now tidal Severn breathes in the sea and releases the river out into the vast estuary. At Purton, the ghostly remains of a graveyard of more than 80 sunken barges reveal man’s hopeless struggle to halt the erosion of the banks. Through the working docks at Sharpness and past a pair of looming power stations, the two Severn Bridges rise like misty goalposts. Portals to the open sea. And an abrupt, somewhat unspectacular end to the Way.

With the walking completed, there remained just one more aspiration: to surf the Severn Bore. A bad dream thankfully warned this novice surfer with a fear of water off. Instead, I rode the Bore in a boat driven by its champion.

We set out on a slack tide in the early dawn, deposited two surfers into the tidal stream and waited. You can hear the roar as it approaches. Pulled by the force of the moon, a small line of foam scrabbling its way against the flow comes into view, gathering body until it is a swell. And then you are on it. Riding the crest as salty water from far away thrusts its way up the river dragging the sea in its wake like a heavy cloak.

Immersed in the perfect balance of the 4 elements, the smile on my face remains for many hours. The magic of Sabrina will last a lot longer.

THE WILL TO CHANGE IS THERE… BUT HOW DO WE BUILD ON IT?

angela findlay5 Comments

As I write this blog, I am holding in my thoughts and heart all who are suffering, grieving, lonely, lost, anxious, frightened, helping, serving, or dying and all the infinite shades of individual human experience that fall between.

Like for some, but unlike for so many more, my rural little Covid world of the past 5 weeks has been a haven of sun-filled peace. Such is the stillness that you can almost hear buds bursting into bouquets of blooms as Spring rustles through the land like a breeze. Woods carpeted in white and blue have become cathedrals for choirs of birds filling the daily Sunday silence with song. Time is no longer measured by clock hands and calendars, but by the gradual emptying of a fridge shelf or the clapping hands on the pavements that announce another week has passed. 

As if from another world, packages of numbers wrapped in the language of war drip-drip-drip-feed death, tragedy, fear and devastation into our days rippling the peace like a faulty tap. Are we at war with Covid-19? Is our sole purpose in the face of a cruel enemy that is attacking all we have come to know and value as “normal,” to defeat it? War requires strategies to target and vanquish an adversary through killing. But, as Angela Merkel said in her address to the nation on 18thMarch, the Covid-19 pandemic is a war without a human enemy.

I find it interesting and heart-warming that 99-year old Captain Tom Moore, an army veteran who fought in the world’s largest war, has become Britain’s inspiration and symbol for how to face the Coronavirus. In total contrast, both to armed conflict situations of war and the language used by several governments, he is not fighting to kill off something. By completing lengths of his back garden, he is walking to help our dedicated services save lives. 

I have to confess that there are moments when I almost dread the day Covid-19 is “sent packing,” as Boris Johnson blustered before the virus robbed him of his usual air, and things return to ‘normal’. Of course I want a rapid end to the huge and relentless suffering of so many. But I don’t want us to go “back to normal.” I don’t want the war metaphors to continue but now with triumphant declarations of victory. For Covid-19 has not just been a vile enemy and bringer of death and misery. It has also been a huge teacher, a creator of peace, a unifier of communities, a friend to nature, a highlighter of the fissures in our society and a persistent pointer to the most vulnerable, the most needed and the most brave. Covid-19 is a killer, yes, but as anyone who has been close to the death of a loved one will attest to, it is also guiding us to our hearts. 

Many people have said it much better than I can, either in this or my last blog. In my opinion, one of the most insightful and erudite writings on the subject is the essay The Coronation by Charles Eisenstein. In it he says: Covid-19 is showing us that when humanity is united in common cause, phenomenally rapid change is possible. None of the world’s problems are technically difficult to solve; they originate in human disagreement. In coherency, humanity’s creative powers are boundless… Covid demonstrates the power of our collective will when we agree on what is important.

I feel deeply and passionately that there is a much bigger picture to the close-up snapshots we are getting from around the world. We are standing before a phenomenal chance for change. A unique opportunity to not go back to the “normal,” which was neither just, nor sustainable, nor even working for the majority of the global population. As Charles Eisenstein asks: For years normality has been stretched nearly to its breaking point, a rope pulled tighter and tighter… Now that the rope has snapped, do we tie its ends back together, or shall we undo its dangling braids still further, to see what we might weave from them?

The Indian author, Arundhati Roy, says much the same in THE WAY AHEAD:

Arundhati Roy

The writing has been on the wall for a long time. I sincerely hope Covid-19 will make it impossible for these ways of thinking to be brushed aside and ignored as the domain of dippy-hippies, whacko scientists, alternative dropouts, idealists, artists or activists. I pray that during this prolonged pause enough of us can shift our values and priorities fully into the camp of those we are currently embracing, not just as individuals but also as a nation. As I have frustratingly learned from decades of campaigning for prison reform, the political impetus to change will only come from widespread public insistence and/or inspired and wise leadership. I don’t yet know what exactly I, what we as individuals, can do and I welcome all suggestions. But maybe a good starting point is to follow New Zealand’s Prime Minister, Jacinda Ardern’s encouragement to “Be strong, be kind.”

Some further opinions:

Penguin is publishing essays about Covid-19 by their leading authors every Monday, like It’s all got to change by Philp Pullman and A New Normal by Malorie Blackman

The pandemic is a portal by Arundhati Roy

Covid-19 and the language of war by ADRIAN W J KUAH AND BERNARD F W LOO
Coronavirus and the language of war New Statesman

Coronavirus: How New Zealand relied on science and empathy BBC News

The Coronation by Charles Eisenstein as a podcast and as a PDF file

George Monbiot talks about Coronavirus