Tag: In My Grandfather's Shadow

From screens to Spring…

angela findlay3 Comments

Spring is Nature’s childhood. It’s frequently associated with youth, new beginnings and innocence. Yet while blossoms skip through our outdoor landscapes, our screens highlight with renewed urgency the premature loss of innocence of our younger generations with devastating consequences to their mental health, education, relationships and identity.

With that in mind, I was going to write about the new Netflix series, Adolescence, that has provoked widespread debate and concern about toxic masculinity, the ‘manosphere’ and sexist ‘manfluencers’ like Andrew Tate. (If you haven’t seen it, I can only encourage you to do so). Online platforms and social media are abuzz with it. Even Radio 4’s Moral Maze dedicated its weekly slot to exploring the question: What’s wrong with men?

Plenty more such questions could be asked in relation to the various world leaders dominating our headlines – Trump, Putin, Zelenskyy, Netanyahu, Starmer, Pope Francis – who between them are presenting a smorgasbord of appealing to repellent aspects of maleness.

I also considered writing about my recent visit to one of London’s dilapidated prisons – organised by the wonderful charity Prison Reading Group – to deliver a session on my book to a group of male prisoners who had read it. About the lingering impressions I’m left with, both of the shabby, four-storey wing that looked, smelt and sounded like your worst imagining of incarceration, and of what happened in the tiny room embedded in it that offered space for our inspired conversation. As always, I was touched by the men’s deep grasp of the themes I address in In My Grandfather’s Shadow, their carefully prepared lists of insightful questions, their gratitude for the positive impact the book had made on their lives. As always, I felt intense frustration at a system of wasted opportunity, money, time and human potential. As always, the wounds left by the absence of fathers, positive male role models and the learned ability to deal with overwhelming emotions glared red.

Detail from a handmade thank-you card from Prisoner B

But in the end, I couldn’t face writing about any of these huge and complex topics, even though they occupy my thoughts.

Instead, I find myself once more turning my focus to the more uplifting emergence of spring flowers both in nature and my garden. And to my inspiring great great aunt who travelled to India to gather floral specimens for Kew Gardens and in whose steps I am metaphorically walking for the next few months, following her diary as she sails from Birkenhead to Mumbai and then trains it up to the Himalayas. Each day I am reenacting a small action or activity she did in 1939, taking a slightly oblique photo that relates to it, posting it on Instagram (angela_findlay) and then creating an experimental collaged page in my sketch book. It’s my way into telling her story.

Daily photos on Instagram

From 17th February to 13th March she was on board the T.S.S. Hector cruise ship playing quoits on deck or holed up in her cabin feeling seasick. (Not easy to make ‘art’ out of either!) There followed a few ‘outstanding’ days in and around Colombo visiting tea plantations and paddy fields, another sea voyage and several trains to the small hill station of Ranikhet in Uttarakhand. This will be her base for several months as she acclimatises, goes on practice treks and waits for the snows to melt further north giving her access to her ultimate destination, The Valley of Flowers. 

early beginnings of daily sketch book pages…

With deep regret I am coming to accept that I am not one of those exquisite botanical painters whose sketch books are veritable works of art. And I am sorely lacking in the plethora of technological and digital tools that are creating mind-blowing new universes in the art world. But I find solace in the fact that like Joan, I too am on a journey towards a (in my case, artistic) destination unknown, exploring and accompanying this intrepid female relative on her solo adventure. Ironically the worldly backdrop to her trip are the precarious months leading to the start of the Second World War. Mine is the run-up to the 80th Anniversary of its end. Or, if stupidity and egos escalate in the wrong direction, the beginning of the third…

War, the word alone snaps me back to present reality. I imagine we are all treading this fine line between engagement with the wider pain and travails of so many and the small (and big) joys and concerns that can be found within our homes and lives. How to care and act without losing sight of the beauty and wonder constantly available to us? How to engage with the immeasurable force of Nature’s creativity rather than human beings’ destructiveness? How to stay awake and feel, but not succumb to anger or blame?

It’s an on-going practice… a dance. And Spring feels like a perfect time to take to the floor.

Back to Jail, this time with a book not a paintbrush… 

angela findlay8 Comments

There was something deeply familiar about the process of entering HMP Wandsworth last week. The first time I was there was in 2003 in my role as Arts Coordinator for the London-based Koestler Arts. I had founded the Learning to Learn through the Arts scheme a year earlier and was co-facilitating a 4-week dance and art project called Beyond Words.

HMP Wandsworth, London

The aim was to bring dance and painting together to create a non-verbal language through which prisoners could express themselves. Each day was a mixture of individual and group exercises that saw the men clambering over tables and chairs to dissolve the formalities of a traditional classroom or splattering paint on paper with Expressionist vigour. Both approaches eventually led to solo multi-media performances and the development of communication skills, camaraderie, trust and sensitivity within the group.

Now, twenty years later, I was re-entering HMP Wandsworth, but this time in the wholly verbal capacity as author of In My Grandfather’s Shadow.

For people who haven’t experienced it, entering a prison can seem synonymous with entering hell. And for many, it probably is. This blog therefore feels unintentionally apposite to Good Friday, the day in the Christian calendar that signifies the crucifixion of Jesus Christ and his descension into hell. We have grounds for this picture of infernal misery from exposure to BBC programmes such as Prisoner,   Time,  Disclosure: Prisons on the brink.  Or five series of Prison Break. But my visit couldn’t have felt further from those dark scenes. 

The beautifully organised event was the result of a brilliant collaboration between the Wandsworth Prison Library team and the charities Give a Book and Prison Reading Group (PRG). Generous book donations came from Penguin Transworld and Radio Wano, the prison’s in-house radio station, took care of publicity. I knew from experience how difficult arranging such events can be. Months of dialogue and organisation can be kiboshed by any number of unforeseen occurrences, or simply by time-poor officers’ inability to deliver the prisoners to the room.  

Not on this occasion though. Thirty-five men, mostly already seated, some with copies of my book on their laps, awaited us as we took our seats in front of a display of hardback copies that rivalled any book festival’s. Unlike my regular illustrated talks in which a series of images ties me to a certain chronology of thought, I was able to speak freely, engaging the antennae grown over years working ‘inside’ to gauge the interests and sensitivities of my audience. As I spoke into the men’s intense attention, I sensed cogs turning in brains as they connected my words to their personal situations. So many of my book’s themes speak to their experiences of trauma, addiction, conflict, violence, guilt, shame, depression, intergenerational family legacies… 

Like a muscle memory, my heart opened as they began to engage verbally, asking questions and contributing informed opinions and philosophies of their own to mine. One of the librarians said to me afterwards, ‘They are so deep.’ And yes, their questions dived in at the deep end, not dissimilar to audiences in Germany. Intelligent. Philosophical. They know darkness. And they recognise how you get there. What I, as always, hoped to show was a way out.

At one point, as I related how I had felt ‘at home’ in prison as a young woman, a prisoner suggested that it may have been because they are at the bottom. ‘We are the bottom of society.’ He was right. That is the perception of many. Shame is the ultimate bottom dweller of emotions. And in feeling shamed as a teenager for being half-German, I would have related well to those who resided at ‘the bottom’.

Comment from a prisoner at HMP Wandsworth

I cannot, however, see these men – and I say men as a generalisation because 95% of the prison population is made up of men – as genuinely being at the bottom of the human pile. It is wrong of society to simply clump them together into one unnuanced band of criminal brothers. There are of course some horrendous crimes. But each person is both individual and potentially so much more. Each has a story, a journey of how they got here. And dreams for something different.

One man revealed he had thought about writing his story but felt nobody would be interested. ‘What makes you think that?’ I enquired. ‘Because it would be too dark,’ he replied only to be refuted and encouraged by others with claims that the crime thriller is one of the most popular genres. 

Listening to and briefly meeting the prisoners at this library event didn’t appear to correspond to the prison statistics I regularly quote in my Art behind Bars talks.

A 2022 government review of reading reported: “The most recent data published by the Ministry of Justice shows that 57% of adult prisoners taking initial assessments had literacy levels below those expected of an 11-year-old.” There is nothing new here, but they remain shocking statistics. And yet my experiences tell me that in spite of high rates of ADHD, illiteracy, dyslexia, prisoners are far from ‘thick’ or even uneducated. They may have failed in or been excluded from mainstream education, but all too often that is because they have not received an education appropriate to their learning styles or needs. It’s an education that doesn’t recognise or value what their experiences have taught them about life.

Once the discussions were over, a long queue lined up for signed copies dedicated to names that revealed the audience’s colourful cultural mix. Many imparted tantalising snippets that hinted at reasons for their interest in my subjects… they were from Poland; they were fascinated by alternative perspectives on WW2; they now recognised how their actions might impact their children; they longed for intellectual stimulus. 

L-R: Standing: Sarah Turvey (Founder of PRG) and Mima Edye-Lindner (Director of Projects, PRG) Seated: Me, Paul Eden (Volunteer for an HMP Wandsworth Reading Group), Susanna Wadeson (Penguin Transworld)

The importance of the work of HMP Wandsworth’s Library – headed by Beverley Davies and her Senior Assistant, Hannah Pickering (who was taking the photographs) – and the work of Give a Book, PRG and their reading group volunteers plus all the Arts Projects taking place in prisons around the country cannot be underestimated. I am so grateful for and heartened by it. Traditional classroom settings are not always the way to educate people. There are other ways to inspire minds. As Antoine de Saint-Exupéry wrote in Citadelle:

If you want to build a ship, don’t drum up the men to gather wood, don’t divide the work and give orders.

Instead, teach them to yearn for the vast and endless sea.

Last week’s Library Event seemed to do just that as both the below comments from the Library and Prisoner Nr. XXX reveal:

“The guys were really buzzing afterwards, and it was great that other people noticed what was going on and wanted to get involved. All the books were taken which is a real positive.”

Prison Reading Group was founded in 1999 by Jenny Hartley and Sarah Turvey. Together with the team from Give a Book and Director of Projects Mima Edye-Lindner, they delivered 5000+ books to 84 groups in 64 prisons.

If you would like to support them, please go to their websites: https://prisonreadinggroups.org.uk

On this year’s Holocaust Memorial Day, German tanks will be heading to Ukraine to fight Russia. Are we learning from or repeating the past?

angela findlay2 Comments

With the approach of Holocaust Memorial Day, I find myself engaging with some of my customary questions around how to remember the past and learn from it. 

There is no question that 27th January is a day to collectively bear witness to those murdered under Nazi Germany’s heinous regime. To honour their memories and acknowledge the agonising voids they once filled. To hold in our minds and hearts those who survived and those born later scarred by the violence inflicted on their families. I personally can’t imagine a time when this is not the right thing to do.

Added to remembrance, is the necessity to grasp and implement the lessons of such dark episodes in history. The most obvious ones centre on the dangers and wrongness of discrimination; of othering fellow human beings for their perceived inferiorities or differences in religion, outlook, appearance, social standing, sexual orientation etc. This may feel relatively straightforward for decent people. It becomes less easy, however, when we are requested to act in the face of similar wrongdoings, rather than look away or rant on social media; to become ‘upstanders’ rather than bystanders. How do we do that in this world where injustices can be found everywhere?

One could deduce, that punishing the culprits is an important aspect of commemorating the Holocaust and avoiding future genocides, though the time for that may now have passed. Just over a month ago, the 97-year-old German care home resident, Irmgard Furchner, became possibly the last person to be convicted of Nazi war crimes. After a divisive trial in Itzehoe, she was given a 2-year suspended sentence for her role as the 18-year-old secretary to the Stutthof concentration camp commandant, Paul-Werner Hoppe. For many people, this is justice, no matter how late, and all the more deserved due to Furchner’s evident absence of remorse. For some, however, it is a vindictive attempt to assuage Germany’s collective guilt. For others, it is misplaced and sickening virtue-signalling, pointless scape-goating… the debate is lively.

Irmgard Furchner

A positive outcome of Germany’s learning from its dark past is its nigh on eighty years of pacifism. But this too appears to be being brought to an end, albeit with huge reluctance and resistance within the country. Putin’s illegal war and NATO’s unified military response in support of Ukraine have put understandable pressure on Germany to break its resolve not to get involved in military conflicts and supply Ukraine with its world class Leopard 2 tanks specifically designed to compete with the Russian T-90 tanks. Last night, after months of hesitation and debate, the Chancellor, Olaf Scholz, and the German government finally agreed to send a company of battle tanks and allowed other countries to send their German-made tanks too.

The whole issue is extremely complex, I know, but the psychological irony seems unavoidable. 

On the one hand, the widespread tendency to never let Germany forget the wrongs of its Nazi past is still alive and kicking. On the other, there is now equally widespread demand that it does just that. Or rather that it selectively remembers some bits of its past and forgets others, such as the traumatic memories of the last time German tanks rolled into Russia with the horrifically high death tolls and suffering of tens of millions that ensued. I wish I could ask my German grandfather what he thinks of the situation, having fought on the eastern front for so long… (See Chapters 14 & 15 in my book In My Grandfather’s Shadow)

Operation Barbarossa, 1941

From many points of view, including a growing number within Germany itself, there are compelling arguments for the government to embrace a Zeitenwende’ (turning of the times) in its foreign policy and to override its long-standing commitment to peacekeeping, up its defence budget and contribute more military solidarity to its NATO allies in a shared effort to support Ukraine against Russia. I am not saying this is right or wrong, just recognising that it is a HUGE step for Germans and Germany, a potential game-changer for either good or bad, and one we should try to understand rather than simply criticise and judge. 

Within the over-simplified, clean-cut narrative of Putin = bad, Ukraine/NATO = good, (which is naturally true from the West’s perspective but not from Russia’s and its allies, hence the conflict), space should be allowed for Germany’s justified fears of an escalation. Its visceral memories of fighting Russia and closer proximity to the country, raise genuinely terrifying concerns that we need to take seriously. At the same time, the contradictions in the messages being delivered to Germany surely don’t go unnoticed: Remember and take the full blame for the atrocities you caused with the Holocaust and the Second World War… but actually, forget some of them now and immediately dispatch tanks against the former enemy with whom you have been trying to make some kind of peace or amends and play a decisive and deadly frontline role in what could easily become a Third World War.

Maybe it really is time for Germany to move beyond its WW2 identity. I hope that this Zeitenwende in German policy will also find a counter Zeitenwende in certain mindsets.

Further Reading:

Was this Germany’s last ever Nazi war crime trial?

Why Germany hesitates on sending battle tanks to Ukraine

Why Germany is struggling to stomach the idea of sending tanks to Ukraine

Germany to send Leopard tanks to Kyiv and allow others to do so

Forthcoming Events focusing on In My Grandfather’s Shadow and open to Public:

Thursday 2nd February, 6-8.30pm, Painswick, Glos: First Thursday In Conversation… More info

Thursday 23rd March, 6pm – Summer Town Library, Oxford: Talk and Q&A… More info soon

Wednesday 29th March, 2-3pm – Oxford Literary Festival: In Conversation with Miranda Gold… More info

In Praise of Empty Space…

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November, in many cultures, is the month designated to remembering those who are no longer there. With a strange synchronicity, everything I did, watched, read or listened to pointed towards ‘absence,’ that non-presence devoid of form that artists call ‘negative space.’ “Empty space is the silence between musical notes, the pauses in poetry, the stillness of a dancer. Therein often lies the meaning or drama of a piece.” (In My Grandfather’s Shadow, Ch 11, p.144)  

I have just returned from a week in St Ives, the Cornish place that boasts the highest concentration of blue light in the UK and challenges many an artist to capture its effect in paint. A kind author friend each year offers her house of clean white rooms overlooking the beach and cliffs as a form of writing retreat for three of her fellow writer friends. All four of us want to make the most of precious time out, so the interiors fall silent during the days that in turn empty of all structure, just as our minds declutter of chores. 

I spent my time reading the diaries of my intrepid, spinster great great aunt, who travelled alone to the Himalayas in 1939 to gather flowers for Kew Gardens. I followed her slow, awe-filled progress as she step-by-stepped her precarious way through lofty peaks and flower- or snow-filled valleys, pausing with her when she rested to stare at the perfectly choreographed performance of clouds and weather dancing in front of my window. Thoughts wafted through my mind, some being noted, others just fading in and out like rainbows. For a whole week, I simply was.

My time there, along with books and films I have recently ingested, have been making me realise just how much I miss and yearn to regain some of what I remember loving doing as a child… nothing. Being born a day-dreamer, the spaces between activity and connection were always filled with a rich, albeit invisible world that had the capacity to entertain, or indeed bore. Boredom… how rarely we have time for that potentially creative vacuum within today’s ubiquitous overload of information, social media and communications that interrupt our rhythms with an octave of pings. I don’t think this is just a grumpy, old-age thing. (Well it may be a bit.) This nostalgia is captured well in ‘The End of Absence’ by the considerably younger and hipper author, Michael Harris. He reminds us of what we are in danger of losing as generations, who have never known life without the internet, gradually overtake those of us who have. 

The recently released and highly acclaimed film ‘Living’ based on the book by Akira Krosawa, screen written by Kazuo Ishiguro and starring Bill Nighy is set in 1950s London. Not a lot happens, and what does, happens incredibly slowly. The cinematography is stunning and emulates the subtle grace described in ‘In Praise of Shadows,’ a slim book by Junichiro Tanizaki that gently reveals traditional Japanese aesthetics and use of space. Unlike us in the west where the achievement of light is basically both goal and God, in Japan it was – and maybe still is in places – the creation of shadows that was the source of beauty and mystery. This quiet understatement is part of what I want to rediscover.

Another film I watched where even less happens but with still more potency and power, is The Banshees of Inisherin. Dark, sad, funny and impeccable in every way, including the acting of its two ‘In Bruges’ stars, Brendan Gleeson and Colin Farrell, it basically portrays the painful ending of an long-standing friendship caused by the simple declaration by one: ‘I don’t want to be friends with you anymore’. The extensive space the film allows each facial movement, scene, sentence… one can almost feel the multi-layered clutter of ones own world begging to be emptied into black bin bags, or deleted.

With this increasingly strong desire to create more space, I decided to have a big Studio Sale of my art. (All works available can be viewed here.) And to finally sort through my real and digital filing office and cabinets in order to establish more clarity and space for new shoots and fruits. 

WWW.ANGELAFINDLAY.COM

So with the start of Advent this Sunday and the build-up to the crazy, all-consuming Christmas season, I would like to invite you to join me in seeking out and reclaiming some of those quiet spaces life used to offer in abundance, and still does if we just stop… feel… and dream our way into them.

Wishing you a very Happy and Meaningful Advent…

Related Links

To buy my book, In My Grandfather’s Shadow, as a Christmas present, please order from your local bookshop or online here

“In My Grandfather’s Shadow’ is a brave, powerful, honest, thoughtful and meticulously researched book. I enjoyed it immensely. It has made me think very hard about intergenerational trauma transfer and explains so much about Germany, and perhaps, in the current context, Russia.” General Sir Richard Shirreff, former Deputy Supreme Allied Commander Europe and author of ‘War with Russia’

To listen to the recent 5-part Interview with Chris Baxter on Radio West, please go to BBC iPlayer here

To look through and/or buy a piece of ART please go to my website: www.angelafindlay.com

What a year… and on we go…

angela findlay6 Comments

What a year 2021 has been! 

Just in my blogs alone we’ve watched the storming of the White House and the removal of contentious statues. We’ve marked Holocaust Memorial Day in January, the anniversary of the bombing of Dresden in February and remembered to remember – albeit only just – Remembrance Sunday in November. You shared my experiences of deep anxiety prior to giving a TEDx talk in March, explored the idea of inherited trauma and guilt as well as ‘genetic pain’, and toured a German photographer’s exhibition: Long Shadows of War. I have taken you – as I frequently do – into the depths and dysfunctions of our prison service. First, via a gruelling TV series, then through new government policies, from relatively harmless ones such as the introduction of high-vis jackets that simply won’t work to terrifying ‘Saudi Arabia-style’ approaches that leave 18-year-old women giving birth alone in cells. We also witnessed the tragic withdrawal from Afghanistan and questioned the sense of trying and locking up nonagenarian former Nazis. 

Thank you for joining me on all or some of those journeys of enquiry and thought.

It feels like there is so much going on in the world, like we are hurtling towards bigger disasters while still mopping up smaller ones. It’s hard to remain optimistic when our own horizons have shrunk due to the imposed or self-imposed Covid restrictions, and yet good things can come out of all this unrest and uncertainty. Like my book!

For the past months, I have been strapped to my desk in a mad rush to meet deadlines and finally ‘finish my book’. I know, I know, you’ve heard that before. I’ve said it before because I frequently thought I had. This time, and certainly by Christmas, I really will have and, what’s more, you can read about it and… drum roll… even pre-order it HERE… What a perfect Christmas gift! Just know it won’t actually be published until 7th July 2022. 

I have never known such a gargantuan task as writing a non-fiction book of around 100,000 words. But then In My grandfather’s Shadow weaves together all the threads running through my blogs, my careers, my whole life, into one narrative. Set against the backdrop of Germany’s Second World War and post-war decades, it tells the stories of three generations – my German grandfather, a decorated General who served on the eastern front; my German mother, who fled Berlin in 1945 as the Soviets advanced, and me, their respective Anglo-German granddaughter and daughter who, by some transgenerational mechanism, carried some of the scars of war that they hadn’t been able to heal.

That’s all I will tell you about it right now. But, on top of my usual responding to current developments within my blog themes, I intend to devote next year’s blogs to whetting your appetites with little morsels until you feel you absolutely have to read the book!

For now though, as 2021 draws to its dark and slightly messy close, I would just like to wish you a very happy festive season, good health of mind, body and soul, and much love, light and laughter in your hearts for the new year ahead. 

Look forward to seeing you in some form in 2022. It’s going to be really good… or at least better. Even if it is just ‘fine’, all is and will be well.

Cheers to that!