Pentonville Prison is “crumbling and rife with vermin”. HMP Birmingham is in a “state of crisis”. Prison staff protest over “unprecedented violence” in jails. “Biggest UK prison riot in decades could and should have been prevented,” report finds.
We have been reading one such headline after another for months now, actually years, probably decades. Almost everything about our prison system is failing and contributing to this dire state: chronic overcrowding, understaffing, lack of purposeful activity, easily available drugs, squalor, rises in violence, self-harm, suicide… they are all interlinking, poisonous contributors to what is becoming a system wholly unfit for purpose. Yet still nothing substantial is done.
I am just back from hiking in Albania, Kosovo and Montenegro. “Why there??” people asked me, instinctively conjuring up images of gangsters, blood feuds, genocide and war. Two articles about the Accursed Mountains and the Peaks of the Balkans trail had captured my imagination and ten days of trekking through some of the most remote landscapes left in Europe proved my instinct to be right.
Over the past 4 weeks, I have been listening to this year’s Reith Lectures “The Mark of Cain” by historian Professor Margaret MacMillan. They are all about war and they are brilliant. Personally, as someone who is equally comfortable / uncomfortable with creativity and destructivity, I find the questions she is exploring absolutely fundamental to what it is to be human.
So there’s good news and bad news on the prison front this month.
The good news is that the Justice Secretary, David Gauke, has declared that “there is a role for the arts” in criminal justice. He believes it’s a good idea. In an interview with The Times on May 25th, Mr Gauke said “the creative sector is a big employer, you hear stories of someone involved in a prison production who ends up in the West End as a lighting technician…” He wants “a culture of rehabilitation” that encourages “drama, writing and painting in prisons.”
Yesterday I wrote two words that I have frequently thought I would never get to write: THE END. Of course it is not The End by any stretch, but nonetheless this week, for the very first time, I caught sight of a teeny-weeny light at the end of the tunnel; just enough to be able to acknowledge its reality, in writing. I am talking about my book; the book that I have been writing for the past three years and researching for well over ten.
To be honest, I have never known a task so challenging. The idea arose out of my talks to schools and Arts Societies all over the country in which I present the Second World War and its aftermath “through the eyes of an ordinary German family”; my family to be precise. “I had no idea,” is the usual, unanimous response. And here in Britain, we actually don’t. So when audience members started asking me with such regularity “Have you written a book?” or told me in no uncertain terms “You must write a book”, I decided to seize the gauntlet. I’ll just stretch the contents of the talks, I thought naively.