Bearing witness to war… thanks to Marie Colvin and Don McCullin

Marie Colvin: “Despite all the videos you see [from governments] and all the sanitised language… the scene on the ground has remained remarkably the same for hundreds of years. Craters. Burned houses. Mutilated bodies. Women weeping for children and husbands. Men for their wives, mothers, children.”*

Don McCullin“War is partly madness, mostly insanity and the rest of it is schizophrenia.”

UK Defence Secretary, Gavin Williamson: “Brexit has brought us to a great moment in our history. A moment when we must strengthen our global presence, enhance our lethality and increase our mass…” and be willing to take military action and able to deploy “hard power”.**

While the ‘War’ Secretary flexes our national muscles, anti-war rhetoric is headlining in cinemas and art galleries. And I for one welcome it with open arms because it is coming from people who have experienced war first hand.

Seven years ago, on 22nd February 2012, Marie Colvin, one of the most celebrated war correspondents of our time, was killed while covering the Siege of Homs in Syria. The recently released film A Private War is a powerful homage to her and the relentless bravery she displayed at the frontlines of the world’s most dangerous conflicts in order “to bear witness” to the human suffering. Easily recognisable by her trademark black eyepatch, American-born Colvin worked for The Sunday Times for more than 25 years. By the time she died aged 56, she had probably seen more war than most soldiers.

Paul Conroy and Marie Colvin on her final assignment
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War… what is it good for? (Absolutely nothing?)

Over the past 4 weeks, I have been listening to this year’s Reith Lectures “The Mark of Cain” by historian Professor Margaret MacMillan. They are all about war and they are brilliant. Personally, as someone who is equally comfortable / uncomfortable with creativity and destructivity, I find the questions she is exploring absolutely fundamental to what it is to be human.

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Germany losing – at wars or football – brings out the worst in us!

Germany’s shock World Cup exit yesterday – the first time the German team has been knocked out in the group stage since 1938 – naturally started a tsunami of Twitter wisecracks and news headlines.

“Germany’s World Cup 2018 downfall made everyone else pretty happy…” said one.

Oh dear, I thought, here we go. Germany’s homegrown term ‘Schadenfreude’ was coming back to bite them with a vengeance as people free flowed expressions of their ‘pleasure in another’s misfortune’.

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It’s time to remember… and this year even German footballers wore poppies

It’s Remembrance time. Red paper and enamel poppies are blooming on lapels all over the nation as people remember those who fought in conflict, and the huge sacrifices they made. Last night, the Festival of Remembrance at the Royal Albert Hall opened with a stunning rendition of “I vow to thee my country”. First, just three slow and quiet brass instruments; then violins joined in; then drums, voices, and finally the whole orchestra played, while flag- and oversized headwear-bearing members of the forces, marched into the hall in step with the music. We were only four minutes into the hundred-minute programme and the lump in my throat was already swollen and wobbling out of control. Gosh we do this so well.

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Standing in their footprints…

What is it that makes standing in the exact location of something historical, momentous or simply in the footprints of someone famous, so thrilling? Or horrifying? On Tuesday I was standing on a stage in the beautiful east coastal town of Aldeburgh ready to give one of my talks on Germany’s WW2 memorial culture when someone said, “You’re standing exactly where Bill Nighy stood last night”. It was tiny but there it was, a subtle tingle, a flutter of excitement. I like Bill Nighy and I liked knowing that I was so hot on his heels, talking in a venue in which he too had talked. But what’s really happening, what are our bodies or minds reacting to when we are in the presence even of such tenuous claims to fame or significance?

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Munich in March

A city in which the ruins of history survive to serve as warnings for the present and pointers to a different future…

German memorials honour the brave resistors of Nazism, unreservedly condemn the perpetrators, apologise to the victims and warn us all to remain vigilant so these things can never happen again.

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A video installation outside the former Nazi headquarters

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