Remembering Dresden – along side its people – helps in the healing of the past

From 13th-15th February, Dresdeners will be gathering to mark the anniversary of the destruction of their city in 1945. This year, rather than creating their usual human chain to snake through the city in peaceful reflection, it will, like most things in this pandemic, be a largely online affair. A Dresden Trust trustee always attends the event as a gesture of deeply-felt solidarity and reconciliation. This year was to be my year to represent the Trust, but instead we have sent a video of messages to our friends and contacts there. Immediate emails of thanks reveal how deeply moved they have been by this extension of virtual British hands and hearts to them. It was a tiny act on our part, but its value was clearly of significance. 

The last couple of years have seen the 75th anniversaries of many Second World War events: the D-Day landings, VE Day, VJ Day, the liberation of Auschwitz… Each was naturally ‘celebrated’ in technicolour with dignitaries from around the world, for these were some of our nation’s finest hours. Tucked in the shadows of those victories, was the 75th anniversary of the UK and USA bombing of Dresden. As far as I am aware, no British politician attended. Neither Boris Johnson nor Jeremy Corbyn even commented on it. It is still a thorn in the side of Britain’s conscience. 

I am fully aware of the contention surrounding the bombing of Dresden. Was the city a legitimate target? Did the Germans deserve it? Was it a war crime? Were Bomber Harris and his Command heroes or part of a campaign that went too far… way too far? In the articles at the bottom of this post you can read up on some of these attitudes, as well as get a picture of the horrors witnessed by a British serviceman held prisoner there. 

Bomber Command Memorial, Green Park, London (2012)

Seventy-six years on, I feel we are totally missing the point if we get tangled up in binary discussions of whether it was right or wrong. Within the context of Hitler and a World War, you can see how it could be considered ‘right’. On that basis, by reading some of my German grandfather’s letters, you can also see how it could have been considered ‘right’ to invade Russia. And by listening to the stories of prisoners, you can also come to understand how they too consider their crimes to have been the ‘right’ thing to have done. Wrongdoing – on an individual or national level – is usually based on thoughts that justify it as being the ‘right’ thing to do. Often this is a reaction designed to redress the wrongdoing of another… and so it goes on. The validity of the reasoning, however, doesn’t automatically make it the right thing to do morally

We are living through extraordinary times of potential change for good. I say ‘potential’ because if we in Britain do not broaden our perspectives on our past in tune with history’s ever-shifting shape, we run the risk of becoming fossilised within it. Nothing can change if we cling to the old. The current statue debate, as provocatively and passionately pursued by Robert Jenrick, our secretary of state for housing, communities and institutions, is an example of the deeply flawed thinking at the core of some of our attitudes to the past. For him, statues represent history itself. Yet they don’t. They represent the values of the time. Both history and values evolve, and debating and adapting to this evolution are important parts of any country’s healthy relationship to its past. What’s more, focusing on statues is a classic example of merely treating the symptom rather than the cause of a problem.

While I don’t believe the removal (or not) of statues is either the real issue or the solution, the government’s evident terror of a ‘revisionist purge’ by ‘town hall militants,’ ‘woke worthies’ and ‘baying mobs’ is revealing. (And insulting to the justifiable requests for a reconsideration of the appropriateness of certain statues in today’s cities). It is the terror, not just of the dismantlement of our statues and heritage, but of our almost purely benign self-image. So great is that fear, that Mr Jenrick is giving himself the personal power to intervene in democratic decisions made by local communities, councils and institutions about the fate of their statues if their decisions don’t adhere to the government’s position. Is that democracy?

Our national self-image and reputation have already been considerably wobbled, if not toppled, in recent years. So I say, bring it on! Why don’t we just go for it? Why don’t we literally ‘come out’ officially and admit: We have… at times… been utter shits. Does that automatically diminish all that we hold dear and celebrate about ourselves? No, not at all. We can be all those good things AS WELL AS being, at times… shits. We can have done and achieved amazing things AS WELL AS having made mistakes, or been on the wrong side of good, or been actively, deliberately bad. We can honour our pilots and soldiers AS WELL AS deeply question the morality of some of our decisions. No country will think less of us… indeed I am sure they will embrace and welcome our vulnerability after so much bullish bluster.

Dresden, February 1945

Until we can shift our position even just a little, Dresden will remain a contentious and unresolved issue. A dark smudge on the national conscience. Whether it was right or wrong, a war crime, an atrocity or a strategic attack, the fact remains that an estimated 25,000 people – primarily women, children, elderly, refugees and POWs – were killed in indescribably ghastly ways, by any standards of warfare. We deliberately designed it to be just so. Could this government, the successors of the instigators of such calculated destruction and loss of life, not also extend a small gesture of thought to the descendants of our victims?

In Mr Jenrick’s argument, “To tear [statues] down is, as the prime minister has said, ‘to lie about our history’.” If we really rely on our statues to tell the truth about our history, then we need to get carving and casting fast. For so far, only truths considered flattering or benign are being told. Nothing of the dark shadows cast by those men on pedestals is included in our statue-version of history. Doesn’t that then make it a lie…?

Past harm left unresolved is a burden that disrupts the present of each generation as it seeks resolution. It adversely shapes attitudes and policies. Let’s be the generation that works through the full truth of our past, creates peace with it and thereby liberates future generations from it.

In my forthcoming TEDx talk on 21st March 2021, I will be explaining How facing the past freed me. You can read more about it here and buy tickets to the event here

Related articles:

The Spectator: Did Britain commit a war crime in Dresden? A conversation Sinclair McKay and A.N. Wilson on the 75th anniversary of the bombing raid

Good Morning Britain 75th anniversary: Dresden bombing survivor Victor Gregg 100 on

Herald Scotland: Dresden 75th anniversary: why Britain must come to terms with its own dark wartime past 

BBC: Dresden: The World War Two bombing 75 years on

The Telegraph: We will save Britain’s statues from the woke militants who want to censor our past (Robert Jenrick)

The Guardian: It’s not ‘censorship’ to question the statues in our public spaces

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The time to remember that ‘to the world he was a soldier, to us he was the world’

‘Tis the season to remember… and yet, this year, for the first time, I forgot. Remembrance Sunday was almost over before I suddenly remembered to remember. 

Locked down at home, I was definitely silent. But maybe the official 2-minute silence at 11am passed me by because in my talks and blogs I am frequently remembering. In fact, ‘looking back’ has become part of my identity, my expertise even. So much so that I have been selected, as one of nine speakers, to do a Tedx Talk on the subject: Facing the past in order to create a fairer future.’ It’s an exciting opportunity though unfortunately lockdown has forced the proposed date of 29th November to be postponed until the spring. It will happen though… like so many other things in this disorientating Covid world in which we are currently immersed. 

In the meantime, if you haven’t attended my talk on How Germany Remembers and would like to, there’s a chance to hear it online on Friday 13th November at 11.30am. It is being hosted by the National Army Museum in London where I spoke last year. You can read more about it here and you can register for free here.

But back to remembering… or forgetting in my case. Maybe there are some of us who feel a little tired of remembering. Or maybe it’s the national narrative we tell ourselves each year, that is tiring. This is one of the points made in Radio 4’s ‘Our Sacred Story’ in which Alex Ryrie, Professor of the History of Christianity at Durham University, suggests that the Second World War is both our modern sacred narrative as well as the shaper of our collective sense of what constitutes good and evil. 

This summer we celebrated the 75thanniversaries of VE and VJ Day. In fact, we’ve done loads of national remembering over the past years. So aside from Remembrance fatigue, I’m wondering if Covid’s restrictive squeeze on lungs, lives and events alike, is also impacting what and how we remember. Lockdown has been turning mindsets inwards, shifting focus and values onto all that is immediately around us – family, gardens, quiet streets or empty skies. Maybe this new way of being is merging effortlessly with the existing sub-stream of thought that strives for essence rather than glitzy, sparkling veneer. 

Looking at the BBC coverage of Remembrance Sunday, it is clear that even our mainstream institutions of commemoration are being forcibly stripped of excess. I salute the efforts of all involved in trying to evoke the all-too familiar rituals, yet nothing could distract from the extraordinary visuals of sparsity. Watching the morning ceremonies at the Cenotaph, one could be forgiven for not knowing where one was. The eerily still Whitehall dotted with a few socially-distanced, poppy- and wreath-bearing dignitaries resembled a set construction of a movie whose budget couldn’t stretch to more actors. And in Westminster Abbey, the Queen, bless her, hatted and masked up in black, couldn’t help but look a little like Darth Vader as she gently touched the white myrtle wreath that was then laid by a masked serviceman upon the Grave of the Unknown Warrior. 

I couldn’t sit through the empty-seated Royal Albert Hall festivities that in the past have both grated and made me cry against my will. Instead, I sought the essence of remembrance in other areas. I soon found it in the podcast, We have ways of making you think. In their Episode 203 on Remembrance, historian James Holland and comedian Al Murray were in conversation with Glyn Prysor, former historian of the Commonwealth War Graves Commission. Between them they brought to life the history of the ubiquitous white headstones that fill acres and acres of land both here and on the continent. 

Set up in 1917 while World War One was still raging, the process of burying in the region of a million war dead, half of whose remains were missing, demanded a very new way of thinking. In a departure from the Victorian hierarchy of worthiness that extended into death and resulted in the common man just being ‘bunged’ into a mass grave, the Commission made a move towards inclusion. It wanted to evoke the sense that everyone had contributed to the war and everyone was equal in death. The outcome was a uniform design for all headstones that would make no distinction between wealthy and poor. This was of course deeply controversial. Individuality would only be marked through the listing of name, rank, unit, regimental badge and date of death. An appropriate religious symbol could also be added, or not. And a space at the bottom was dedicated to personal messages from family members, some of whom would never be able to travel to the continent to visit the graves of their loved ones. 

Covid has been highlighting the need for a similar leveling process across our hierarchies of wealth, fairness and opportunity. As in war, it is the personal losses and tragedies that will far surpass and long outlive the victories or shenanigans of the politics. In that vein, I found the essence of remembrance in an inscription spotted on a war grave in Bayeux:

Into the mosaic of victory, our most precious piece was laid.

Dresden… a spectacular phoenix rising from the ashes

My recent trip to Dresden and Leipzig reminded me what wonderful places German cities can be. Particularly in summer when the music of high quality buskers wafts through squares lined with outdoor cafés offering chilled Grauburgunder and Pfefferling (chantarelle) dishes with white asparagus; when young people ride on rickety city bikes across the cobbles, hands dangling by their sides. It’s only the ever-present cranes punctuating the skyline of sloping roofs, or the gaping, pulled teeth-like gaps between buildings that remind you that all you are looking at was, in the not so distant past, rubble; grey, gaunt, improbably upright façades standing sentry among collapsed homes and destroyed families. 

I have to admit, before I went to Dresden I had questions about travelling to a reconstructed, rather than original, Baroque city. I questioned whether destroyed buildings should be re-built and replicated or whether their ‘death’ should be seen as an opportunity for something new. Or whether a 21stcentury appearance of 18th century architecture still constitutes an historic monument. My first sighting of the city’s famous profile of domes and spires lining the river and my subsequent face-to-face meeting with the ‘Florence on the Elbe’ quickly rendered those questions superfluous. Dresden is simply beautiful.

Of particular interest to me as a newly elected trustee to the London-based Dresden Trust, was the city’s most historic and well-loved landmark, the Frauenkirche. Its bombed remains had been left untouched by the communist regime of East Germany for decades, both as a symbol against war and a memorial for those 25,000 killed in the notorious 2-day aerial bombing attack by Britain’s RAF and the USA. 

After the 1989 fall of the Berlin Wall and 1990 reunification of Germany, the future of the Frauenkirche became a focus of the widespread national debates and philosophical soul-searching still continuing to this day. 1993 then launched seventeen months of clearing, documenting and organising the 23,000 cubic meter mound of rubble with characteristic German thoroughness. 8,390 interior and exterior façade stones and ceilings were saved as well as over 90,000 back up blocks and other features. By 2005 – to cut a much longer story short – the church re-opened. Crowned by a shining golden orb – donated by the Dresden Trust as a heartfelt gesture of reconciliation from the people of Britain and created by a team of silversmiths headed by the son of a Bomber Command pilot – the church now proudly dominates the bustling Neumarkt once again, almost a literal phoenix raised from the ashes. 

The golden orb donated by The Dresden Trust

In a former industrial area a few miles away is the antithesis of the Frauenkirche’s resurrection. Housed in an empty gas container, the huge 360˚ digitally processed panorama of the bombed city by the Berlin-based artist, Yadegar Asisi, is almost as mind-blowing. Visitors enter the cylindrical space at ground level but can climb a centrally erected scaffold tower to view the city from various levels. Against a backdrop of music, lights dim or flicker to emulate night or bombs as people stand in silence staring at the abyss of destruction.

Dresden, 1945. A section of the 360˚ Panometer by Yadegar Asisi

Looking at this seems to viscerally insult ones humanity, possibly all the more so because, though we have all clocked the pointlessness of war many times over, “This time, we were the pigs”. In that devastating space, the guest book entry of an American visitor resounds with rare indisputability. This was ‘us’. Whatever our justifications for bombing Dresden – and there are always apparent justifications for aggression, just talk to violent offenders, listen to politicians – we designed bombs to have the maximum impact, not just on buildings or military targets but on civilians. It was an act that rightly continues to needle our ‘heroic victors’ narratives and shake the moral high ground we want to, and often do, occupy. For that reason alone, I am grateful for Dresden. 

Left: one of two original walls left standing

Nearly seventy-five years on, only the dark sections of the original Frauenkirche and the blackened stones that polka-dot the soft sandstone exterior like plasters bear witness to the horrors of those two fateful nights in February 1945. As normal life buzzes at its feet, the church, often filled with music, stands defiantly, a profoundly moving symbol of peace and reconciliation and a testament to the sheer bravery, optimism and determination of Dresdeners.

Germany losing – at wars or football – brings out the worst in us!

Germany’s shock World Cup exit yesterday – the first time the German team has been knocked out in the group stage since 1938 – naturally started a tsunami of Twitter wisecracks and news headlines.

“Germany’s World Cup 2018 downfall made everyone else pretty happy…” said one.

Oh dear, I thought, here we go. Germany’s homegrown term ‘Schadenfreude’ was coming back to bite them with a vengeance as people free flowed expressions of their ‘pleasure in another’s misfortune’.

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Light at the end of the tunnel…

Yesterday I wrote two words that I have frequently thought I would never get to write: THE END. Of course it is not The End by any stretch, but nonetheless this week, for the very first time, I caught sight of a teeny-weeny light at the end of the tunnel; just enough to be able to acknowledge its reality, in writing. I am talking about my book; the book that I have been writing for the past three years and researching for well over ten.

To be honest, I have never known a task so challenging. The idea arose out of my talks to schools and Arts Societies all over the country in which I present the Second World War and its aftermath “through the eyes of an ordinary German family”; my family to be precise. “I had no idea,” is the usual, unanimous response. And here in Britain, we actually don’t. So when audience members started asking me with such regularity “Have you written a book?” or told me in no uncertain terms “You must write a book”, I decided to seize the gauntlet. I’ll just stretch the contents of the talks, I thought naively.

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It’s time to remember… and this year even German footballers wore poppies

It’s Remembrance time. Red paper and enamel poppies are blooming on lapels all over the nation as people remember those who fought in conflict, and the huge sacrifices they made. Last night, the Festival of Remembrance at the Royal Albert Hall opened with a stunning rendition of “I vow to thee my country”. First, just three slow and quiet brass instruments; then violins joined in; then drums, voices, and finally the whole orchestra played, while flag- and oversized headwear-bearing members of the forces, marched into the hall in step with the music. We were only four minutes into the hundred-minute programme and the lump in my throat was already swollen and wobbling out of control. Gosh we do this so well.

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