Yesterday I wrote two words that I have frequently thought I would never get to write: THE END. Of course it is not The End by any stretch, but nonetheless this week, for the very first time, I caught sight of a teeny-weeny light at the end of the tunnel; just enough to be able to acknowledge its reality, in writing. I am talking about my book; the book that I have been writing for the past three years and researching for well over ten.
To be honest, I have never known a task so challenging. The idea arose out of my talks to schools and Arts Societies all over the country in which I present the Second World War and its aftermath “through the eyes of an ordinary German family”; my family to be precise. “I had no idea,” is the usual, unanimous response. And here in Britain, we actually don’t. So when audience members started asking me with such regularity “Have you written a book?” or told me in no uncertain terms “You must write a book”, I decided to seize the gauntlet. I’ll just stretch the contents of the talks, I thought naively.
Having spent the past two weeks in France enjoying everything that France has to offer and so much of what I love in life, it is hard to write my monthly blog on my slightly sombre themes of memorials, World War II, the Nazis, remembrance and all that stuff. And particularly on an iPhone from a campervan! But today, as we were driving past anyway, I went to a memorial that has to be one of the most memorable in terms of its immediate and tangible connection to Nazi atrocities.
What is it that makes standing in the exact location of something historical, momentous or simply in the footprints of someone famous, so thrilling? Or horrifying? On Tuesday I was standing on a stage in the beautiful east coastal town of Aldeburgh ready to give one of my talks on Germany’s WW2 memorial culture when someone said, “You’re standing exactly where Bill Nighy stood last night”. It was tiny but there it was, a subtle tingle, a flutter of excitement. I like Bill Nighy and I liked knowing that I was so hot on his heels, talking in a venue in which he too had talked. But what’s really happening, what are our bodies or minds reacting to when we are in the presence even of such tenuous claims to fame or significance?
On Monday I was invited to give my talk about Germany’s memorial culture of apology and atonement (read more) at Brighton College as part of their Holocaust Studies Week. One student asked a question being debated by current historians: “When can we let WW2 recede into the past like other episodes of history do?”
Today, 27th January, is International Holocaust Memorial Day, the date that marks the day Auschwitz-Birkenau was liberated by Soviet troops in 1945. It is the day on which we are asked to remember the 11 million victims killed in the Holocaust – 6 million Jews and 5 million Soviet POWs, homosexuals, Sinti and Roma, mentally or physically disabled, Roman Catholics, political dissidents, ethnic Poles, Slavs and Ukrainians. All had become victims of the Nazi hatred that deemed them to be “Untermenschen”, literally ‘beneath’ or ‘below’ human; sub-humans. They were killed because they were seen to be a threat to the ideal world image that Hitler and his followers were striving to manifest.
Germany’s ‘open house’ policy and newly attributed “moral leadership” within the mounting refugee crisis was indeed initially surprising. It certainly wasn’t always so. I’m remembering the 17-year-old boy I met in the nineties when I was working as an artist in Cologne Prison. His name was Christian and he had been placed in the special segregated unit there because his crime was so contentious on a national scale. He was one of four young Neo-Nazis responsible for burning down the house of a large Turkish family in Solingen in May 1993, killing three girls and two women and injuring fourteen other family members. It was the most severe instance of anti-foreigner violence in modern Germany and in 1995, Christian was found guilty of murder, attempted murder and arson and sentenced to 10 years.