It’s the eleventh of the eleventh, one hundred years on from the day when three signatures scribbled urgently on a piece of paper in a train carriage in France, finally brought the horrors of the First World War to an end.
It’s Remembrance time. Red paper and enamel poppies are blooming on lapels all over the nation as people remember those who fought in conflict, and the huge sacrifices they made. Last night, the Festival of Remembrance at the Royal Albert Hall opened with a stunning rendition of “I vow to thee my country”. First, just three slow and quiet brass instruments; then violins joined in; then drums, voices, and finally the whole orchestra played, while flag- and oversized headwear-bearing members of the forces, marched into the hall in step with the music. We were only four minutes into the hundred-minute programme and the lump in my throat was already swollen and wobbling out of control. Gosh we do this so well.
After my talks on Germany’s unique culture of ‘counter memorials’, I am often asked what I would do differently within our British culture of Remembrance. I am always reluctant to pass any kind of judgment on what is one of Britain’s most poignant occasions, for we are true experts in creating meaningful and visual spectacles of solemn ceremony, national pride and gratitude. But now, as the last witnesses of the two World Wars disappear, is it time to shift the emphasis of our remembrance culture from an almost exclusive focus on the fallen soldiers of those two wars to include a broader picture of the casualties and victims of war in general?
It is Remembrance season and once again I find myself feeling slightly uncomfortable, a bit pedantic, no doubt irritating and at worst offensively unpatriotic. And yet Remembrance is one of my favourite themes and both my grandfathers fought in the World Wars. So why can’t I jump whole-heartedly into the seas of poppies and poppy wearers, dignitaries and wreaths, that stream through our streets to lap up against memorials and into churches each November? Of course I want to ‘remember’ and acknowledge all the soldiers who died or were wounded serving their country, but discordant questions waft like dried leaves or ghosts through the architecture of British Remembrance rituals. So once again I ask myself and all of us collectively: what exactly are we remembering, and to what end? Remembrance is by nature vital, solemn, beautiful, meaningful… in many ways we do it so well. But beneath the tradition, ceremony and ritual conveyed through a distinctly military visual language, the message has also, in today’s world, become slightly flawed, inadequate and at times hypocritical.