In the Flow: Ode to the River Severn

First Encounter with the River Severn

June 1999. You wouldn’t know it was there. Nothing suggests the proximity of Britain’s longest river as you amble down the canal towpath at Frampton-on-Severn. I have a hand-painted sign promising Cream Teas to thank for its discovery. The arrow lured passers-by through a hedge and into a wonderland of round tea tables bedecked with embroidered tablecloths and mis-matching crockery and arranged beneath the boughs of a huge copper beech. A tall man navigated trays of silver teapots and 3-tiered cake stands along narrow paths mown through the long grass. 

I had moved back to England after 10 years living abroad and was checking out the Stroud area as a possible new home. The top floor of the accompanying Lodge was up for rent, I soon learned… would I like to look at it? A sweeping staircase carried us up two stories and into an apartment of hexagonal rooms adorned with small fireplaces. Then, bending double, two miniature doors awkwardly birthed us onto a roof terrace and into the breath-taking view that would become my world. The River Severn stretched like a taut blue sheet tucked into a distant shore. Low tide mud sparkled. Silence was broken only by the soft chink of teacups on saucers.

Life on the River Severn

I would live in that apartment on the Severn for nearly three years. Every day I walked along the banks of the estuary, my breath aligning with the deep ebb and flow of the tides. 

I witnessed the stoicism of a little oak tree holding its precarious own through the seasons, storms and floods; watched cows amble home at dusk accompanied by the swirling black clouds of starlings that condensed and evaporated in the gentle orange glow.

This was where I became a professional artist, scooping rich, melted-chocolate mud into buckets, mixing it with paint and dancing sky and weatherscapes onto large canvases with my hands. 

On many a chilly morning I stood on the Severn’s banks with mugs of coffee and expectant crowds waiting for the world’s second highest Bore to swash its way up the estuary and carry brave surfers upstream. Once, in the pitch of night, I crossed its swirling waters in a rickety old boat and returned in the frozen pinks of dawn. 

A Severn Bore

In later years, I would park my camper van on its shores, drink chilled glasses of wine in the sun’s last rays and sleep through rising moons and meteoric showers. 

I have a rich store of happy, muddy memories of the River Severn.

Walking the Severn Way from source to sea

For the past eight months I have followed its 220-mile course [albeit not in order] from source to sea; from the peaty uplands of Plynlimon in Mid Wales, north-east through Powys and Shropshire, then south through Worcestershire, Gloucestershire to where it sweeps into the Bristol Channel… the Celtic Sea… the Atlantic Ocean. 

Map from the Severn Way Guidebook by Terry Marsh

Within a mile of its boggy birth, the infant Severn starts tumbling through the Hafren Forest, gathering erratic speed like a toddler until the ‘Severn-break-its-neck’ Falls plunge it into the valley that will bob it to its first town, Llanidloes.

Assuming a steadier gait, it meanders through undulating pastureland before looping north to cross the Welsh/English border at Crew Green. Growing prosperity expands its girth into a watercourse that cuts through floodplains as it heads into the dense cluster of the period buildings and timber-framed mansions that formerly made up one of Britain’s most prosperous wool and cloth trade towns, Shrewsbury.

Past the birthplace of Charles Darwin, a glassy stillness and almost imperceivable flow belie the Severn’s true force as it smoothly snakes its path between overgrown banks of willow, elder and the deceptively pretty pinks of thuggish Himalayan Balsam.  

History punctuates the landscape with traces of Roman forts and roads, a Saxon chapel, the evocative ruins of the Cistercian Abbey at Buildwas, 16th Century market halls and sandstone caves that once sheltered hermits or stranded travellers unable to cross the river. As the Severn bullies its way south through gorges striped by coal, limestone and iron ore strata, the legacies of once booming industries and trades are memorialised in mines, railway stations and canals that once linked local towns across Britain. 

Regular bridges drip feed the imagination with the industrial revolution. Ironbridge boasts the world’s first iron bridge cast by the grandson of Abraham Darby in 1779 in the wake of his grandfather’s revolutionary discovery seventy years earlier that coke could be used for smelting iron instead of charcoal. Further downstream, the fortified town of Bridgnorth perches on a sandstone cliff. Once the busiest port in Europe, it hummed with the sound of iron works and carpet mills, breweries and tanners until the 1860s when railways heralded the end of river trades.  

Following its increasingly wide, milky-coffee-coloured road, vocabulary from school geography lessons surfaced from the recesses of my turbulent education: Oxbow lakes, flood and sandbanks, confluences; soaring cumulonimbus or, equally frequently, water-dumping nimbostratus clouds.

South of Gloucester and around the peninsular at Arlingham, the now tidal Severn breathes in the sea and releases the river out into the vast estuary. At Purton, the ghostly remains of a graveyard of more than 80 sunken barges reveal man’s hopeless struggle to halt the erosion of the banks. Through the working docks at Sharpness and past a pair of looming power stations, the two Severn Bridges rise like misty goalposts. Portals to the open sea. And an abrupt, somewhat unspectacular end to the Way.

With the walking completed, there remained just one more aspiration: to surf the Severn Bore. A bad dream thankfully warned this novice surfer with a fear of water off. Instead, I rode the Bore in a boat driven by its champion.

We set out on a slack tide in the early dawn, deposited two surfers into the tidal stream and waited. You can hear the roar as it approaches. Pulled by the force of the moon, a small line of foam scrabbling its way against the flow comes into view, gathering body until it is a swell. And then you are on it. Riding the crest as salty water from far away thrusts its way up the river dragging the sea in its wake like a heavy cloak.

Immersed in the perfect balance of the 4 elements, the smile on my face remains for many hours. The magic of Sabrina will last a lot longer.

A personal meditation on the loss of summer

I associate the first half of September with painful muscle memories of returning to school for the start of the new academic year. That dreaded countdown to the end of the summer holidays… a slow but intense process of loss. Now it’s the waning warmth and hours of daylight. The demise of peaceful silence as the hum of activity and traffic re-clutter mornings. Leaves, not long ago the fresh green of youth, yellow and fall like aging teeth while flower heads darken and shrivel shedding their petals like hair.  

(As you can see, my mood and thoughts plummet in September! Early September that is. It gets better though, if you care to read on…)

Expanded thoughts stretching lazily into the great outdoors are reined in. Earth’s gravitational pull sucks sap and life forces back into its bosom, simultaneously draining me of mine. I grieve the death of summer. My optimism falters. It requires an act of will to stop my spirits from sinking into a deep, weary sigh.  

Dying… death, the sole inevitable event in each of our lives, yet about which we know so little and only talk reluctantly. 

As if mirroring the fading light and life in nature, death in various guises fell close to home during the last months. The natural passing of a dear, elderly godfather. The sudden, wholly tragic demise of the 14-year-old son of close friends of my sister’s family. Further afield but landing in our days nonetheless, the nameless numbers of violent deaths from conflicts or upturned boats. And in my regular dips into churches and cathedrals while walking the 215-mile Severn Way, I encounter those who have long gone, some preserved in perpetuity in grand tombs, others lost in overgrown cemeteries.

Still clinging to my scanty summer wardrobe while shivering in stubborn refusal to turn on the heating, everything changes for me as we pass through the portal of the Equinox and turn the corner into autumn. The sense of loss and gradual dying shift into a graceful letting go; an embracing of our interior worlds and the gifts of the encroaching darkness that, like the tide, cannot be stopped. The worst period of mourning is over.

Earlier this week I was privileged to witness a beautiful example of joy and laughter in the wake of loss and grief. It came in the form of a fellow visitor to the Museum of Royal Worcester. Cabinets of china artefacts do not belong to my usual aesthetic, but I was there with my 90-year-old mother for whom they do. In a far room, sitting at a table covered in brushes and bottles of ceramic paints, a woman, maybe in her sixties, sat with her head bent over a bare clay mug impressed with an owl design. I soon learned that she had come here to honour her late parents, with whom she had always lived, in the most profound way she could think of. As lovers of porcelain themselves, they would have been beyond overjoyed to see the cups, bowls, vases and ornaments on display. Now, she was painting an owl mug for each of them, carefully outlining the wings in darker slip and stopping her excited chat to concentrate on the beak or pupils. She shone with the simplicity and profundity of her action. It touched me deeply. She was doing a far better job of overcoming a far greater loss than I had been with my summertime blues.

Then a cool night in my camper van with the visceral thrust of Severn Bores pushed and pulled upstream and over the banks by a full moon boldly rising in defiance of the descending sun. Reminders that the deep in- and out- breaths of the tidal river are part of the larger breaths of the Earth, the Seasons, Nature, Life… and Death.

Reminders that nothing is either lost or dead. That all is well and all will come again. 

A small 3* Severn Bore

Welcome to you, Autumn, with all your outer splendour and inner hope!