Wish for 2017: Keeping alive Winston Churchill’s unfaltering faith “that there is a treasure, if you can only find it, in the heart of every man.”

A last minute blog before the curtains fall on 2016. As a year, will it get a rapturous applause and an encore I wonder? No, I don’t think it will. Not from the point of view of one of my main blog themes – prisons – at least. A re-wind to the beginning and a second chance…? Well that would be wonderful.

This time last year I was excited. I think all those who work in the Criminal Justice System (CJS) were. We were facing unprecedented possibilities of genuine reform within the sector. As Justice Secretary, Michael Gove had done his homework thoroughly, rather ironically consulting and listening to the experts more than most of his predecessors had done. He commissioned Dame Sally Coates to create the Education ReviewUnlocking Potential to which even individuals like me were given an opportunity to contribute. My ambition to make the case for the arts at government level was looking set to be realized.

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Having to tell people you are good… the joys of being self-employed

The week ahead is a dauntingly big ‘Admin Week’ for me. Daunting because, for the self-employed, “admin” basically involves telling people that you are good; that they want you and need you. This doesn’t come naturally to the artist in me, precisely because I see my paintings as a way of saying what I want to say without having to say it. And the other parts of me don’t like it either, because they just don’t.

Sure, I have been known to get on my soapbox and spout off about things I believe in, that’s no problem: the huge defects of our prison system; the benefits of the arts to offenders; the potential power of apology within Restorative Justice, the un-funnyness of out of date anti-German jokes; recycling; growing potatoes; the music of The Cat Empire… I clearly spout off about a lot of things. But I find it harder to tell people how good my paintings are and why they should buy one, or how well my talks have been received by schools and why they should book one, or  how great my forthcoming art course on the Greek Island of Skyros will be and that they really should enrol. And yet that is precisely what this admin week requires me to do.

Let’s see if I can make it less painful for myself.

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“How do you tame the prisoners in your art class?”

low res 009 prisonPortraits by prisoners in my art class, Cologne Prison’96

I was asked a very interesting question in one of my talks to sixth formers last week. I had just delivered my lecture on ‘Crime, prisons and offenders – the role the arts can play’ describing why prisons aren’t working and what art projects with inmates can contribute towards their rehabilitation. As usual the questions were all interesting, but one in particular struck me. A young man asked me what I did in my initial classes to “tame” the prisoners with whom I was locked in a room. A brilliant question in that it seemed to highlight precisely the misconception so many people have about who prisoners are and what they are like.

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