What a wonderful world…

I feel like I should write about the US/Israel war on Iran – just in case it’s the start of another world war. Conflict and its lasting impact are themes of my blogs, after all. 

But I can’t quite bring myself to. Do you feel the same? That initial shock… then a deep sigh, a kind of eye-rolling weariness, an ‘Oh, for goodness’ sake…” followed by a quieter, heavier sadness: not again.

Perhaps being immersed in a vibrant community, in the arts, in nature and in inner processes – as many of you may be, in your own ways – offers a lens on world events that cuts through the noise of “facts” and “news” and brings the sheer idiocy of this war into sharp relief. 

All wars are deadly serious, and my thoughts are frequently with those directly caught up in the pain, terror, danger, destruction and loss that war carries in its DNA. And yet, with so many alternatives to military action available, I struggle to see this one as anything other than a series of reckless actions by an orange, puffed-up caricature of a world leader alongside others in positions of power, playing with the lives, lands, and futures of millions, both near and far. 

Many watching on seem baffled and possibly outraged by what has unfolded this month. But implications and consequences aside for a moment, the language of and justification for war itself feels curiously antiquated: transparently dishonest, illogical, unimaginative, emotionally illiterate, and astonishingly short-sighted.

Similarly, I find myself unable to listen to discussions in the House of Commons without a sense of embarrassment. The braying and booing, the scorning and jeering. You could hardly design a better architectural setting or system for pitching people against one another in a relentless ping-pong match of insults and counterarguments that defy meaningful action or resolution.  

While I am at it, I would add the excessive striving for power, control, territory, wealth, or ideological domination to my list of grievances ready to be banished to Room 101. It all feels so… yesterday.

In contrast, reading the brilliant blog by Marina Cantacuzino, founder of The Forgiveness Project, on Rethinking the Language of Contempt, listening to Professor Daisy Fancourt speak about her book Art Cure: The Science of How the Arts Transform our Health, and studying the soul-orientated approach to seemingly unresolvable issues in systemic constellation work, restores my sense of faith that a better world is possible. 

What would really give me hope, however, is seeing the many effective, often evidence-based practices and initiatives that foster peace, health, care, connection and creativity properly funded, implemented, and woven into systems that are currently buckling under the weight of outdated thinking, much of it developed in the name of ‘progress’. 

As my wise constellations teacher said, what we may be witnessing is the “demise of competitive individualism”. Across the world, in both small and large ways, people are coming together in cooperatives, collaborations, conversations and communities, rather than conflicts. Many have recognised the dead end of elbowed egotism, excessive consumption, resource exploitation and disposable waste. Something else has been quietly brewing for decades. And though some of its early expressions may be flawed, it is happening. 

Here in this feisty little town in Gloucestershire that has always punched above its weight, the ground is tangibly rumbling. Not with tanks, but with a peaceful, bottom-up revolution. Changes in thinking, acting and being in this wonderful world based on what is beneficial to all. 

Bring it on. 

For just as valerian roots can quietly topple stone walls, so too can the gradual growth of grassroots initiatives gently tumble those clinging to the brittle pinnacles of old systems that have lost connection to their source.

Following Joan… Part Three

(If you are joining Joan’s story now, you might want to read Following Joan… Parts One and Two first.) 

‘Do you think she jumped… or did she fall?’

It’s 2020 and I am sitting opposite my uncle, a grandfather clock tick-tocking the present into the past.

That question has always lingered around the name of my Great Great Aunt Joan. She was said to have been troubled, never having recovered from the death of her beloved older brother, Gerald, killed at Gallipoli in the First World War. Ill health had dogged her. And as another war loomed on the horizon, perhaps she could not bear to witness more loss. 

I sometimes wish I could type ‘Joan Legge’ into the search box of my life’s hard drive to locate the exact moment her story began to intrigue me. Perhaps it was a conversation with my grandmother, Joan’s niece. Both she and her younger sister had believed, independently, that Joan would not return from her trip to the Himalayas in 1939. Their mother was said to have ‘the gift’ – an unfathomable intuition, a form of knowing that slips past reason. 

That fascinated me, for even as a child I sensed there were hidden channels of communication and knowledge beneath the surface of ordinary life. Perhaps their foreboding of no return planted the idea that Joan’s death had been deliberate.

Joan 1905

Or maybe it came from the anecdotes I gleaned over time from my father and uncle about this eccentric spinster who, after Gerald’s death, cast off the frills and trappings of aristocracy and privilege to forge a life of farming, service and adventure. A life that ended in solitude, in a remote valley half a world away. 

Some lives close with a sense of completeness, even peace. Death may be welcomed after a struggle with illness or the slow wear of age. Others remain unfinished, wrapped in mystery, unresolved, tugging at the conscience of descendants like a child clutching at its mother’s apron strings. 

Joan’s sudden death was of that latter kind. It sent shock waves through the generations, softening with distance into small ripples. Even now they lap at the shores of my own soul. 

Map of the Valley of Flowers, the site of Joan’s camp, death & grave marked in red
©Staffordshire History Centre

It was only last year, travelling to the Valley of Flowers with three of Joan’s descendants, that I fully grasped the scale of her courage. And the violence of her end. The monsoon rains offered us just a fleeting glimpse of the place she fell, its position traced on a map sketched in the days after her death. Yet it was enough to shatter the gentler image I had long created of her tumbling down a wooded slope. The truth was starker. Joan had fallen clean over the edge of a sheer granite cliff.

Her fall haunts me. Those unthinkable seconds of awareness, knowing you are hurtling toward your end. How different from a death that comes inch by inch, offering time to prepare, to resist, to rage, or to reconcile. In July 2024, when I left the Valley of Flowers and Joan’s remote grave, a sudden grief overwhelmed me, buckling my legs and landing me in a pile of donkey droppings. Yet Joan’s own words leave no room for doubt. Her diaries brimmed with excitement for the months ahead, with awe for the surrounding peaks, and with delight in her adventure. She did not choose death. She was very much alive.

So why does her story touch me so deeply? Why not my great grandmother, killed in a car crash?  Why not my grandfather, the ‘muck and magic man’, pioneer of organic farming? Why Joan? And why me – the only one in the family drawn, again and again, to the lives behind us rather than those unfolding ahead? Is it because I have no children to anchor my gaze forward? Or is it that I have no children precisely because the voices behind me insisted on my attention?

Gerald (far left), Joan’s father (seated left), Joan (centre) and others, 1907

Perhaps neither, or both. What I do know is that the dead have enriched my life. And in honouring them, in breaking the silence of the unspoken, in unravelling the mysteries and untangling the knots they left behind, I believe their presence has enriched the lives of others’ too. 

Through my recent studies in Family Constellations, I have increasingly come to experience life as a river, flowing on with or without us. We step into its current for longer or shorter spans, mingling in the same waters where our predecessors once moved. What matters is not the length of time, but the resonance we leave behind. Not quantity, but quality.

Birth is the one beginning we all share. But our endings are as varied as our lives. Accident, chance, destiny, choice… no one can know death’s moment or manner, only its inevitability.

So was Joan’s death a tragedy as her obituaries mourned? Or was it a brilliant ending to a life lived fully right into its final breath? 

Draft for Joan’s eulogy by her sister: ‘If in another world kindred spirits dwell together there Joan & her brother Gerald will be found, I think, among a happy throng of pioneers and explorers of all ages. Courage, endurance and an indomitable will were possessed by this devoted brother and sister and both lie buried in a mountain grave & as one of her friends wrote, ‘”already halfway to Heaven”. She started on her greatest hazardous adventure joyfully and she died as she had lived, unafraid –

Joan and Gerald, 1907

I dedicate this blog to my dear friend in Australia, Tas. Over the past six years, corticobasal syndrome (CBS) has been claiming his body, his movement, his speech. And yet his spirit, his humour, his integrity and his enduring delight in friends, family and life itself still blaze. To know him is both an inspiration and a gift I deeply treasure.  

Further details of my exhibition / event on Joan will follow in my next Blog.