What relationship do we expect young Germans today to have to their country’s past?

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I was very interested in two of the questions I was asked in a recent talk to the sixth formers of a London boy’s school. Both were similar and in response to some statistics I showed about German students’ relationships to their country’s past. And both touched on one of my on-going questions in relation to young Germans today: Do we expect them to feel guilt and shame for what their great grandparents were caught up or directly involved in, or can they now be proud of their country and say with genuine conviction “It has nothing to do with me”?

The statistics from a Zeit Magazine survey of 14-19 year olds revealed, among other things, that:

80% believe remembrance of the Nazi times is important

67% believe it is their generation’s duty to make sure that Nazi Germany and the Holocaust aren’t forgotten

60% said they were ashamed of what Germans did in Nazi times

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What are we “remembering” on Remembrance Day?

I found it symbolically pleasing to be planting bulbs as yesterday’s two-minute silence hummed over the radio waves across the UK. Sitting in the quiet sunshine, I started to “remember”, only to immediately bump into the questions: what and who am I remembering? And to what end? After all I have no personal “memories” of the First and Second World Wars, nor even of Iraq or Afghanistan. Relatives yes, but in the World Wars they were on opposite sides.

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Bomber Harris Memorial, (1992) London

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Is there a point in still talking about Second World War Germany ?

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I found it almost impossible to write over the summer or to organise my thoughts into some sort of coherent flow while the sun shone outside producing the intrepid army of courgettes that now lies liquidized in my freezer. Instead I hung out in Nazi Germany, trying to organise 9 years of research into a 40 minute talk for schools and as yet unknown audiences. It was a process of willing black and white photographs to come to life to reveal what has been lurking in the corners of Germany’s post-war national silence for 50 years. But I also found myself wondering (with regular twangs of self-doubt) what the point is of still talking about this subject? And is it still relevant and important for today’s younger generations of English and Germans to engage with Hitler and the Holocaust, or have Bin Laden & other contemporary despots taken his place as ‘Dr Evil’?

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Why is Restorative Justice and the power of apology not fully integrated into our justice system?

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I never seem to stop being baffled by aspects of our society. But more than anything else, I’ve been baffled by the illogic of our criminal justice system since I was able to think for myself. Last night I co-facilitated a Restorative Justice conference that brought it home to me once more how important a role apology has in the process of repairing the harm caused to another.

In so many cases the victim, the most important person within the context of a committed crime, can be hugely helped by the “simple” act of a genuine apology. Isn’t that precisely what we are taught to do as children when we have done something bad? And yet as we grow up and do more seriously bad things, the role of apology is largely replaced by punishment, a revenge of sort that responds to and feeds a victims’s natural and justified anger but contributes little to the easing of their pain. We’ve seen examples of apology countless times in politics: Ireland’s decades of pain-filled longing for an apology from the British government for Bloody Sunday in contrast to the hugely powerful yet simple gesture in Germany in 1970 when Willy Brandt spontaneously knelt at the memorial to the Warsaw Jewish Ghetto. No words were needed and it was accepted by the world as a public acknowledgment of wrong – no excuses, no justifications, just a silent and humble act of apology.

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Is re-habilitation even the right word?

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Stone carving project at HMYOI Reading as part of the Learning to Learn through the Arts Scheme

I feel like Government ministers have suddenly found a new word and are bandying it around like children who think they have discovered it. We are now in a ‘Rehabilitation Revolution’, a Prison Spring of sorts. And of course I welcome it and it is music to my ears to hear ministers finally and seriously presenting measures that are designed to have an impact on the ‘revolving door’ syndrome of our current Criminal Justice System. But something is also making me want to weep.

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1945 to 2013 in one painting

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Untitled (with lipstick) 2011

by Angela Findlay

My most recent solo show Fragments of time at McAllister Fine Art in Godalming is entering its final week. It shows work combining photographic collage and oil and is a development of ideas and techniques that led to a collaboration with John Helseltine and a joint  exhibition Filling the cracks in 2011

Reflecting on the paintings I find myself wondering where to next? This body of work has been the result of several years of an on-going interest in capturing glimpses of the everyday, usually overlooked and yet often very beautiful testimonies to peoples’ lives within the privacy of their homes. Initially I worked from a dawning sense of the fragility of what we call “home”, a paradox in the face of the security and consistency we seek there.

In 1945 as an eleven year old German girl, my mother fled her home with her younger sister, the approaching Russian army a mere 40 miles away. The few stories of her childhood experiences float silently in my imagination, their edges blurring with those of my own memories. The implications of her sparse accounts didn’t register fully until I was older. But the images she sketched of a Berlin in flames, the train station heaving with jostling people, and the agonising choice of which doll to take – the beloved but threadbare one or the brand new one from her father on leave from the front? – began to provide a source of inspiration for my work.

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