Rage or Disengage…? A slightly expanded take on ‘Never Again’

This Remembrance weekend has been receiving more publicity than most years. As I write, at 11am on 11.11. hundreds of thousands of people are gathering in London, not to observe the traditional one-minute silence, though many I am sure will, but to march in support of Palestine. Not far from the Cenotaph, police are clashing with far-right protestors chanting “England ‘til I die”. 

I don’t want to get into the heated debates that have criticised or defended the timing and legitimacy of these marches. But, being a blogger about (among other things) the importance of remembering the past, I would like to take a step back from the specifics to soft-focus on the significance of Remembrance Day and in particular on the often heartfelt, sometimes platitudinous mantra of ‘Never Again.’

What do we mean when we say ‘Never Again’? The original ‘Nie Wieder’ slogan appeared in post-war Germany and the words are usually used in association with the Holocaust and other genocides. In Berlin on 9th November, to mark the 85th anniversary of the 1938 November pogroms widely known as Kristallnacht, the words ‘Nie Wieder ist jetzt’ – ‘Never again is now’ – were beamed onto Berlin’s Brandenburg Gates. An all too timely reminder as since the Hamas attacks on Israelis on 7th October, antisemitism has been on the rise. Not just in Germany, but globally. 

‘Never again’ is of course a passionate, urgent and vital reminder to never allow anything like the Holocaust to happen again. I end all my talks on Germany’s culture of apology and atonement with exactly that call. And for younger generations, I add Michael Rosen’s warning about fascism:

“I sometimes fear that people think that fascism arrives in fancy dress worn by grotesques and monsters as played out in endless re-runs of the Nazis. Fascism arrives as your friend. It will restore your honour, make you feel proud, protect your house, give you a job, clean up the neighbourhood, remind you of how great you once were, clear out the venal and the corrupt, remove anything you feel is unlike you…” 

Both are a call to each one of us to be awake and to take responsibility. But what meaning can Never Again have for those of us who like to think we are not particularly susceptible to or guilty of antisemitism or discrimination anyway? (A huge debate in itself, but not for right now)

Last month, after talking with a Jewish friend about the dilemma of not knowing what to think, feel or do in the wake of the desperate situation, she sent me a draft of an essay she was working on. In it she broadened out the Never Again message to include all humanity: “The ‘task’ of the Holocaust has come out of the shadows and into the foreground with blistering clarity in recent weeks – and if the foundation of this task is to honour the pledge ‘never again’, this pledge must apply to all humanity. It is not exclusive to the Jewish people; to transfer the trauma of one population on to another is no victory.” (The full version Beyond Binaries by Miranda Gold will be available soon.)

Much has been written about this. Indeed, I discuss it in In My Grandfather’s Shadow at the end of Chapter 22, ‘Lest we forget’. But recently I have discovered another level of instruction in those two words. It asks us not to other ‘others’ on any level. Because that is when the seeds of barbarity and atrocity are sown.

Most of my work is dedicated to trying to see and understand the ‘other side’ of a story. It is one of the things for which I am grateful to my dual-nationality. Scorsese’s latest film Killers of the Flower Moon, however, highlighted where I was failing. Starring Robert De Niro, Leonardo DiCaprio and Lily Gladstone, all brilliant in their roles, it depicts the deception and murderous treatment of the Osage Native Americans in the 1920s by white settlers after their oil rights.

Four Osage sisters (played by (L-R): JaNae Collins, Lily Gladstone, Cara Jade Myers and Jillian Dion

I hated the film. So much so that I fell asleep! I now see that I literally couldn’t take any more of what I would afterwards clumsily call ‘white man’ violence and cruelty. I basically dissociated – a common trauma response. Of course it is not only white men who are violent and cruel. Nor is it all men. But in that moment, on the back of an intense schedule of talks about prisoners (96% of which are men), Nazis, WW2, Britain’s colonial past etc. etc. and against the backdrop of Hamas’s heinous attacks, Israel’s deadly retaliation and the disturbing revelations of the Covid enquiry to name a few – I had identified with the victims of these historical male-dominated actions. The attitudes within the film scratched my own childhood wounds of being shamed and othered as ‘German’ (at the time completely synonymous with Nazi) and tipped me into complete overwhelm and overload. The dense darkness of psychic saturation had nowhere to go other than through what felt like a primeval roar. 

I have no doubt that many people, maybe you too, have at times felt something similar. 

A couple of uncomfortable encounters over the next few days in which one person raged and another decidedly disengaged made me realise that my response to some highly generalised image of ‘man’ was no way to proceed. I could feel myself slipping into a form of oppositional camp, taking a side, seeking the solidarity of a “team”, as Biden unhelpfully phrased it recently. For in that moment, I was doing exactly what I personally feel the call for ‘Never again’ is asking us not to do. I was creating a binary division between myself and those I saw as doing or being responsible for ‘wrong.’ I blamed ‘them’, while licking the wounds of a collective (female) ‘us’. Statistically and historically some of this ‘male’/’female’ categorisation has a degree of reality and validity, but it is not the way forward. 

Adam and Eve – Lucas Cranach (around 1537)

It is in othering that we can justify discrimination and violence.

It is in othering that we can harm and be harmed.

It is in othering that we all become capable of failing to uphold humanity’s plea for ‘Never again’.

So, for me, this Remembrance Sunday is not only a day to honour the memories of our own fallen who served, defended and died, and to renew an annual pledge to peace in the world that clearly isn’t working. It is an occasion to also extend our thoughts way beyond our own shores to all people who have died and are dying in conflicts and wars. And to reach deep into our hearts to help heal the divisions that are leading to discrimination and violence in every land. By searching hard for the fellow human being in all perceived enemies and all those we vehemently disagree with, no matter how hard that is; by finding the place that lies somewhere between the external roar of internal rage and the deadening desire to turn away and disengage, we can remain in our hearts. We can keep sight of our innate oneness. That, to me, at least makes some sense in a world that increasingly doesn’t make any.

Further Reading

Never again is now’: 1938 Nazi pogrom anniversary marked in Germany by Kate Connolly

Hollywood doesn’t change overnight: Indigenous viewers on Killers of the Flower Moon

The past residing in the present and shaping the future

“It’s the memories,” 98-year old D-Day veteran, John Sleep, told the BBC interviewer, Sophie Raworth on Remembrance Sunday. Dressed in a blue suit decorated with medals and donning a burgundy beret and tie, his wheelchair was parked on Horse Guards Parade in front of the traditional ‘march past’ the Cenotaph. Asked how vividly he could remember it all, he said, “It was yesterday.” Silence followed as his face crumpled in its fight against tears. As for so many veterans, the title of “hero” bestowed on servicemen today feels misplaced. What he and his fellow soldiers did was not heroic, glorious or even brave necessarily. Those are qualities that belong to their friends who didn’t return. They are the real ‘heroes’ and their memories still roam and haunt the minds of the living. 

Memories; PTSD; horror, honour and pride get shaken into potent cocktails of commemoration at this time of year. Last weekend was almost overwhelming in the scale of significant events to be remembered. Don’t get me wrong; I love remembering the past because each time I ‘re-member’ an event, I learn a little more about its relevance to the present and the future. Time became a linear construct through the human need for rationality and order. Yet in reality, or in my experience at least, time refuses to simply line up chronologically. The past and future co-habit each moment of what we call the present.

November 1989, the fall of the Berlin Wall

This year’s calendar of remembrance started on 9th November, when Europe and beyond celebrated the 30thAnniversary of the fall of the Berlin Wall and remembered all those who died on the physical and symbolic front line of the Cold War. A bit like with the 9/11 collapse of the Twin Towers, it seems that everybody can place exactly where they were when it happened. I can recall my Sussex landlady’s unbridled joy as she danced in front of her television clapping her hands as the ‘Ossis’ flooded through the wall into the welcoming, cork-popping arms of West Germans. I remember clapping and grinning with her, careful to disguise my shameful ignorance of just how momentous a moment this was. The Cold War may have been the political backdrop to life back then, but I was still in the dark over the potency of German history… half my family’s history.

Next up was the annual Festival of Remembrance at the Albert Hall, an event that every year both moves me to tears and irritates me in equal measure. I have written about it before but in spite of some deeply kitsch musical contributions – James Blunt, the former army officer with a remarkably high voice and Leona Lewis, former X-Factor winner, who massacred ‘Like a Bridge over Troubled Water’ – I found this year’s festivities generally more sensitive, less triumphal (thank goodness) and more inclusive. They focused on the 75th anniversaries of lesser known, yet no less brutal, battles of 1944, such as Monte Cassino and Rome, and the collaboration and friendship of the British, Commonwealth and Allied armies who fought them. They also marked the 100th anniversary of GCHQ and the vital, albeit largely uncelebrated role of the secret services such as the code-breaking work at Bletchley Park completed by a workforce 76.35% of which were women… 

Ok, women’s forgotten / ignored / unrecognised place in war and history is a blog for another day. It’s the role of pride in all these activities of remembrance that I want to touch on here. Specifically the pride felt for and by family members. Pride can comfort in the face of death. Pride can give meaning to apparent pointlessness. Pride can assure the memory of a person is maintained for generations to come. Pride can overcome some of the horror of war. It can swell the heart and make thoughts soar. It can be a balm on the trauma of loss, which, if unprocessed, can be passed from generation to generation. 

So how is it for the relatives of German soldiers, I wonder? Millions died and yet pride is a tool that cannot be employed to soften the sharp corners of grief or maintain the memory. It’s difficult, I know. But for the sake of generations to come, in order to avoid the transgenerational transmission of unresolved emotions and to understand and most importantly quash the re-emergence of Germany’s Far Right, we need to address the problematic nature of remembering the men and women who were limbs in Hitler’s military body of destruction, but also brothers, fathers, husbands, sons, friends… and grandfathers of ordinary German families. 

John Sleep, our 98-year old veteran, is already putting my challenge into practice. Resting on the chequered blanket draped over his lap and gently held in place by misshapen hands in muddy, black woolen gloves, lies a simply-crafted wooden cross decorated with painted poppies and the word ‘Peace’. “It’s for the Monument of Tolerance,” he explained, “an organisation set up on the German border with all nationalities in it. The idea is to prevent wars,” he continues without the hesitation of his earlier answers. John also ‘does’ the German services. “I’ve got no problem with the Germans,” he declares. (Well that’s nice to hear.) “I think they did me a favour.” (Really??) “They got me a very good pension.” (Ah… ok – slightly disappointed face) But fair enough. He’d had “an argument” with a German tank and it had won.  

I like the ideas behind this Dutch Monument of Tolerance. Unveiled on 8 March 2001, it serves as a reminder of the more than 700 soldiers of 11 nationalities who lost their lives in the Leudal area between 1940 and 1945. I am pleased that at least here German families have an opportunity to bestow a tiny fraction of the recognition other nations can pour over their military family members. So, next Sunday 17th November, on the occasion of Germany’s humble Volkstrauertag – ‘people’s day of mourning’ – I would like to invite you to join me for a tiny minute in thought. A tiny moment in which we try and extend the lines of our famous and treasured poem of Remembrance to include some of Germany’s Wehrmacht soldiers and their families. 

“At the going down of the sun and in the morning, we will remember them.”

Käthe Kolwitz: Mother with her dead son, Neue Wache, Berlin

I don’t wear a red poppy, not deliberately to make a point, nor out of disrespect – it just isn’t the symbol that captures enough of what, how and to what end I want remember.

3000

It is Remembrance season and once again I find myself feeling slightly uncomfortable, a bit pedantic, no doubt irritating and at worst offensively unpatriotic. And yet Remembrance is one of my favourite themes and both my grandfathers fought in the World Wars. So why can’t I jump whole-heartedly into the seas of poppies and poppy wearers, dignitaries and wreaths, that stream through our streets to lap up against memorials and into churches each November? Of course I want to ‘remember’ and acknowledge all the soldiers who died or were wounded serving their country, but discordant questions waft like dried leaves or ghosts through the architecture of British Remembrance rituals. So once again I ask myself and all of us collectively: what exactly are we remembering, and to what end? Remembrance is by nature vital, solemn, beautiful, meaningful… in many ways we do it so well. But beneath the tradition, ceremony and ritual conveyed through a distinctly military visual language, the message has also, in today’s world, become slightly flawed, inadequate and at times hypocritical.

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