A talk, an exhibition and a TV series…

October is a busy month. Lots to see and do or get done. Can I just add three things to your list? The first two are London-based and optional; the third should really be compulsory for everybody.

So firstly, for anyone in London on Friday 11th October at 4pm, I am very excited to be speaking at the National Army Museum’s inaugural Chelsea History Festival. My talk How Germany Remembers is just one in a whole line-up of talks by impressive historians, writers and speakers – including Max Hastings.

Secondly, and also this month until 3rd November, The Koestler Arts annual exhibition – Another Me – will be showing at the Southbank. I personally haven’t been yet but I know it will once again provide visitors with a glimpse of the huge talent and potential locked up in our prisons. It is a showcase for what the arts can do for people’s well-being, self-esteem and rehabilitation.

I was in fact invited to expand on these benefits for the autumn edition of The Arts Society magazine. Please feel free to read my article ‘Art behind Bars’ to learn more.

But thirdly, and in stark contrast to the positivity of the arts, is the shocking Channel 4 series Crime and Punishment. I know, I know, I have been here many times before. You are probably sick of me going on about the plight of prisoners and state of our prison system. But you won’t be half as sick as all the people involved, who know how acute the crisis is.

Please watch it. Even just Episode 2. And then compare what you see with the Ministry of Justice’s evidence-based summary of what works…

Even I was aghast at what I saw in the first three episodes, and I have been in many of our jails. Everything has got so much worse since the 43% cuts to the budget from 2011 onwards: the levels of frustration from being locked 23 hours a day in conditions that even animal rights campaigners would protest against; the levels of desperation that lead people to shred their bodies or hang themselves to get a radio or better clothes to wear for a visit from their wife and kid; the levels of terror in young officers who patrol the wings after just 10 weeks training and 2 weeks shadowing; and the levels of weary resignation of those who enrolled to help and make a difference but are repeatedly forced to cower behind plastic shields and just ‘contain’.

Photograph 3
Guernsey Prison, Margaret Macdonald Platinum Award for Photography 2019, Koestler Arts

I believe everybody you see in this series is doing their best. But increasingly without hope of change. What you witness is the underbelly of our society. A society that punishes disadvantage, that punishes mental health, that punishes lack of education. In almost every shot, hopelessness seeps under the cell doors to mix with the blood of self-harm.

We all probably feel there are far better causes to engage with – cancer patients, the rain forests, refugees and hedgehogs; that offenders have only themselves to blame and that prison has nothing really to do with us. But if you are reading this, it probably does. Because so many of us have had advantage, education, guidance and love. And it is precisely us who can help bring about change. How? you might ask. Well a good start would be to recognise that Boris Johnson’s policies to extend sentences and build more and bigger prisons are wholly illogical and will only make the situation worse. You could then take a moment to retreat into your imagination, put on the battered, ill-fitting shoes of some of these offenders and try to walk a few steps. See how far you are able to get. The barriers to a crime-free productive life on release are enormous and once more of us realise just how bad things are, we can all join in with the other voices that are demanding: enough is enough.

Good news and great ideas… or just bleedin’ obvious and long overdue?

 

So there’s good news and bad news on the prison front this month.

The good news is that the Justice Secretary, David Gauke, has declared that “there is a role for the arts” in criminal justice. He believes it’s a good idea. In an interview with The Times on May 25th, Mr Gauke said “the creative sector is a big employer, you hear stories of someone involved in a prison production who ends up in the West End as a lighting technician…” He wants “a culture of rehabilitation” that encourages “drama, writing and painting in prisons.”

Feltham - Christopher copy.jpg

 

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What can we do? What can I do? What can you do?

“What is the most important thing we can do?” That is the question I am so often asked at the end of my ‘arts in prison’ talk. Yet I have never been able to give an answer that feels satisfactory.

Through pictures, stories, statistics and facts, my audiences get a glimpse into our prison system, into the minds and lives of offenders, and into what role the arts can play in the process of rehabilitation. “I had no idea!” is the most common response, and then,  with their new insight, people across the country, from sixth formers to retirees, want to know what they personally can do to help solve the increasingly dire situation that is our criminal justice system (CJS).

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Wish for 2017: Keeping alive Winston Churchill’s unfaltering faith “that there is a treasure, if you can only find it, in the heart of every man.”

A last minute blog before the curtains fall on 2016. As a year, will it get a rapturous applause and an encore I wonder? No, I don’t think it will. Not from the point of view of one of my main blog themes – prisons – at least. A re-wind to the beginning and a second chance…? Well that would be wonderful.

This time last year I was excited. I think all those who work in the Criminal Justice System (CJS) were. We were facing unprecedented possibilities of genuine reform within the sector. As Justice Secretary, Michael Gove had done his homework thoroughly, rather ironically consulting and listening to the experts more than most of his predecessors had done. He commissioned Dame Sally Coates to create the Education ReviewUnlocking Potential to which even individuals like me were given an opportunity to contribute. My ambition to make the case for the arts at government level was looking set to be realized.

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INSIDE – an exhibition where art replaces prisoners and visitors can feel how tiny a cell is

“Outside the day may be blue and gold, but the light that creeps down through the thickly-muffled glass of the small iron-barred window beneath which one sits is grey and niggard. It is always twilight in one’s cell, as it is always midnight in one’s heart.” Oscar Wilde, de Profundis, 1897

IMG_9031.jpgReading Prison

People were moving around the building as if it were an ancient site, a relic of times long past. Tentatively they stepped into the tiny cells, their barred windows raised to a height designed to deprive. Metal bunks, the squeak of their springs still echoing in the silence of long nights past; a painted table, names etched into the surface, reminders of identities transformed into numbers; and toilets tucked behind waist-high partitions separating toothbrushes and washing-up from another’s piss and shit.

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What are the collective nouns for a mass of unknowns or a pile of question marks?

I think I am politically depressed!

As a new academic year kicks off for another round of the seasonal clock, I find myself back behind the steering wheel and darting all over the country to deliver my talks. A busy lifestyle but it has always felt worthwhile. Even just knowing the next generation of school leavers will launch themselves into the world with at least a tiny awareness that our prison system is a disaster and most prisoners are not monsters but people, with stories and needs for help rather than punishment. That’s always been enough.

Something has changed though.

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